A Disturbance in the Force: Review of Star Wars: The Last Jedi

Star Wars: The Last Jedi

Director: Rian Johnson

By Alex Watson

Life in the galaxy rolls on and in the hands of Rian Johnson it still feels thrilling. Keeping the twists and turns coming thick and fast, there is also a heavy emotional core to Star Wars: The Last Jedi. Characters are forced to look inside and make some tough internal choices. Some Star Wars fans might gripe over its feel along with its more humorous and heavy-hearted approach. But you can't deny there is potential here and finally, this new batch of characters are beginning to come into their own.

The Resistance led by General Leia Organa (Carrie Fisher) is being forced to fall back against the might of the First Order. Low on numbers and morale, the only hope they hold is for Rey (Daisy Ridley) to convince reclusive Jedi Luke Skywalker (Mark Hammill) to return. Meanwhile, Kylo Ren (Adam Driver) is also fighting his own personal battle against his own conscience. 

Johnson wastes no time thrusting Star Wars: The Last Jedi into light speed. Starting with a thrilling dogfight which sees hotheaded but heroic Poe Dameron (Oscar Isaac) take on the First Order fleet and permanent sneer of General Hux (Domnhall Gleeson). This side of the story provides the unpredictable thrills of the story. Dameron along with former First Order trooper Finn (John Boyega)  and newcomer Rose (Kelly Marie Tran) are on a mission to disable an enemy tracking device. Dameron in this story emerges as the new Han Solo in the making- charismatic yet immature and brave yet ballsy. Always drawing the wrath of new commander Vice Admiral Holdo (Laura Dern), Dameron is both indispensable and a wild card all in one. The Kylo Ren/Ben Solo side story also holds its own as the conflicted Jedi is pushed and pulled by Supreme Leader Snook (Andy Serkis once again rocking motion capture) to embrace his evil side. Rey can still feel the human side of him but is he past the point of redemption?

The real heart of this picture comes from the unlikely alliance of Rey and Luke Skywalker. At first glance, this would seem like the movies Achilles heal. Not only does it succeed but it is by far the movies most glorious aspect. After the lightsaber hand over at the end of Force Awakens- Johnson makes this scene an unlikely moment of hilarity. Skywalker wears the ghost's of the past in this flick- scarred by his failure of his nephew Ben he at first stubbornly refuses to help Rey. However, the new protege never backs down and a caring and strong bond forms. As talented as she is with a lightsabre, Luke also greatly fears the influence of the dark side. Also during this time, a mysterious connection arises between Rey and Ren which could potentially alter the course of either life. Johnson during this sequence brings a tender touch which could bring big things in later movies. Of course, who won't enjoy the nostalgia of watching Luke board the Falcon after so many years?

While the Star Wars: The Last Jedi has plenty of ideas that hit, there also some that just fall flat. During an overly long sequence to rich planet Canto Bight, Johnson's movie comes a little unstuck. This whole plot device just feels added to draw out the mileage and becomes little more than a wild goose chase. Was the introduction of Benicio Del Toro's codebreaker DJ really necessary? This trickster comes and goes while making little impact or weight to the story. This is easily the strongest Star Wars effort since Empire Strikes Back, but Johnson is all about the changing of the guard. Seeing Carrie Fisher on screen for the last time will bring a tear to some eyes. Luke Skywalker along with many others are present but by no means are the focal point of the story. Some fans may not like the more jokey side or the almost video game like approach during the battle scenes. But you cannot deny that this franchise is at once with the force again.

Firstly it feels amazing to see Mark Hammill once again holding a lightsabre as Luke Skywalker. Turning in a career-high performance, Hammill reminds us why this character is so special. Playing a more jaded and afraid version of Skywalker, he shows a man unable to let go of the past. Oscar Isaac emerges as the new king of cool for this franchise. Poe Dameron is a man who plays by his own rules but is also the leader the Resistance desperately needs. John Boyega once again is superb as Finn and matches Isaac for strength of character. Daisy Ridley, however, is the real ace in the deck in Johnson's movie. Effortlessly looking cool with a lightsabre, Ridley is the picture's backbone. Able to handle the difficult of upstaging Skywalker, Rey is very much the franchises future Jedi master.

Star Wars: The Last Jedi brings new hope to the galaxy- just a shame Johnson won't be returning for episode 9.

South of The Border: Review of Sicario

Sicario

Director: Denis Villeneuve

By Alex Watson

Slowly burning tension from the opening frame, Denis Villeneuve delivers one of the finest efforts of 2015 with Sicario. This story of the FBI attempting to bring down a Mexican cartel is one that is thoroughly heart-stopping and excellently creates a sense of unease about the situation unfolding. Aided by some gorgeous and striking cinematography by veteran Roger Deakins and a cracking and unpredictable script by Taylor Sheridan, Villeneuve succeeds in drawing us in a world where the law has been long forgotten. 

Kate Macy (Emily Blunt) is a member of the FBI Kidnapping team, but when a raid in Arizona goes wrong a media firestorm ensues. A Mexican cartel has operated dangerously close to the border which prompts official Matt Graver (Josh Brolin) to convince to join a task force to bring them down. When she arrives in Juarez, Mexico she discovers that this teams approach to bring down the enemy is a bewildering one. Also the arrival of shady operative Alejandro (Benecio Del Toro) only heightens her suspicions. 

"This is a land of wolves" says Alejandro at one stage and Villeneuve early on throws into a world where ruthlessness reigns supreme. A thrilling opening raid on a cartel safe-house sets the tone, purely for the fact the aftermath is one of extreme horror. Shaken by this revelation, Kate desires to do good joining Graven, only to find a more frightening discovery. Everywhere there is a lurking sense of dread and the lack of explanation about Alejandro only adds fuel to the fire. A buttoned down and silence presence who goes "where I am sent" underneath there lies a traumatized and unscrupulous figure who idea of justice is a nauseating one. 

Kate is always struggling to understand what motives are at stake with Graven's operation? When it becomes clear that his wish is to break the rules of engagement and strike fear into cartel hearts, events take a turn into more dangerous territory. One moment while transporting a key figure back to US soil sees them stuck in traffic on the Bridge of the Americas. Knuckles tighten as they look around for potential shooters, only to Kate's horror they casual execute several members in broad daylight! There are blurred lines of procedure and Graven's macho and cynical attitude only serves to push her ideals even further down. 

What starts as a simple operation broadens into a much wider picture and Villeneuve skillfully alert us that wiping out this cartel might be the main idea. Sicario boasts a superb paranoid edge to it and we are able to engage with Kate's fears and doubts about what has become involved with. Villeneuve's shows himself a capable director and masterfully handles the movies heavier qualities with ease. His finale set against an all or nothing raid on a key cartel site is almost like something out a video game with its infra-red camera use. His last message though is the most potent that law is sometimes brutally enforced by the lawless. 

Emily Blunt is an inspired piece of casting for the picture and she is able to bring across a steely resolve mixed with a heavy fragility. Kate is a woman who brings across a sense of confidence in what she wants to achieve, but gradually Blunt gives her character a terrific sense of disillusion in the movies later stage. Josh Brolin is a forceful presence and his jokey and scornful approach to bring down his enemies makes him almost as much of a villain as it does ally.  Benicio Del Toro steals the supporting honors with a masterclass in repressed emotion combined with fearlessness. 

Denis Villeneuve has finally made the cross over from his earlier more psychological work and proves a stunning and adept action thriller director. Sicario is one of the most tense and absorbing films you will have the pleasure of seeing in 2015

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LA Confidential: Review of Inherent Vice

Inherent Vice

Director: Paul Thomas Anderson

By Alex Watson

The cinema of PT Anderson is always an engaging experience unlike any you will ever see. With his work such as Boogie Nights, There Will Be Blood and his most recent effort, The Master there is always a strong sense of realism mixed with an almost ambient aura surrounding it. So far critically he has yet to put a foot wrong and his new effort adapting Thomas Pyncheon's 2009 novel, Inherent Vice might be another fine addition to an increasingly impressive collection.

Larry 'Doc' Sportello is a LA based private eye who is given a surprise when his ex girlfriend Shasta Fay Hepworth (Katherine Waterston) emerges from a long absence needing his help regarding the disappearance of her rich and powerful boyfriend. The resulting case will produce a web so complex Doc will have his work cut out. Also he has managed to run afoul of notorious LAPD Detective Christian 'Bigfoot' Bjornsen (Josh Brolin).

Inherent Vice is an Anderson movie that both excels but at the same time is immensely flawed. My first advice before viewing this film is to go with the flow because the central story line is one that will send your mind in all kinds of directions. In short, the disappearance of a real estate tycoon is the simple part of this whole mystery and there diversions galore to keep our minds ticking. Doc will also have to contend with Neo-Nazi's, saxophone player, Coy (Owen Wilson) who may or may not be a triple agent and an Indo-China cartel called The Golden Fang.

The principle difficulty in the analysis of this picture is that although the movie possesses a sharp and wicked sense of zany humour, it also has a heavy cloud of density hanging over it. All throughout there are red herrings and rumors that drive the plot which make for great and unpredictable viewing. What is the Golden Fang? They could be everything to do with the vanishing or could also be another detour from the path to discovery. However, sadly we are not left with any kind of clear answers. Artistically this could be clever trickery by Anderson and it could well be on multiple viewings that the real answer finally emerges.

Doc Sportello as a man is one who is very much of the pot smoking 70's and underneath his glazed eyes and his straw hat is a man who has become locked into one hell of a puzzle. In an era where the dreams of the 1960's have long since faded, Doc is a man who simply exists and his almost lathergic approach bizarrely endears him. In one scene, we see him write 'Seriously Smoking' on his notebook when interview a potential witness. His constant harassment by the Bigfoot gives the movies its main sense of laughs. The burly copper is fond of his civil rights violations but even more so of tormenting his hippie enemy/helper. Their phone calls (in particular Doc being dressed down by Mrs Bigfoot) make for some uncomfortably hilarious viewing.

Joaquin Phoenix is proving to be the new go to man for Anderson and as Doc he succeeds in bringing a real human quality to the role. Unlike the conflicted and impulsively violent Freddie Qualyle, Doc is like a passive counterpart who is having to up his level of thinking in order to survive. Phoenix also succeeds in bringing some great natural humour- his reaction to Jena Malone's picture is just genius. Among the starry cameos such as Reese Witherspoon, Benicio Del Toro and Owen Wilson, it is Josh Brolin who claims top supporting honours and as the borderline demented Bjornson, he is a thumping and bold presence.

Inherent Vice is a picture will be most likely be considered to wayward and scruffy to appeal for Academy Voters come prize time. But it is still a picture that deserves to be analysed over the coming years if only to unlock the mystery.