Showing posts with label Bryan Singer. Show all posts
Showing posts with label Bryan Singer. Show all posts

Saturday, 3 November 2018

Hammer to Fall: Review of Bohemian Rhapsody

Bohemian Rhapsody

Director: Bryan Singer

By Alex Watson




There was controversy surrounding Bohemian Rhapsody before it was even released. Due to continuous problems and behaviour surrounding director Bryan Singer- Fox was forced to fire him and hire Dexter Fletcher to finish the film. The result is a mixed success and although this movie does firmly capture the spirit and energy that Queen brought the music world- its depiction of Freddie Mercury feels almost too safe. However, Rami Malek proves to be the movies secret weapon and he perfectly embodies the great performer and persona that Mercury truly was.

In 1970, a toothy oddball named Farookh Bulsara (Rami Malek) meets two other misfits called Brian May (Gwilym Lee) and Roger Taylor (Ben Hardy) who perform in a struggling band named Smile. Together with bassist John Deacon (Joseph Mazzello), they form the band Queen and quickly ascend to the dizzying heights of music glory. While Freddie quickly becomes the face of the band, problems begin to develop both in and outside the band.

You can sense that Bohemian Rhapsody is treading a very careful path when depicting the life of Mercury. This was an artist who was unafraid to push the boundaries of what was appropriate, yet this movie feels very overly cautious and seems to determined just to play the hits. Singer glosses over the early years of Queen with too much speed. Immediately they go from playing colleges and pubs to selling out arenas. We never get the sense of success being earned the hard way and Anthony McCarten's script seems overly focused the life of Mercury. There are moments of hard-won respect- such as their struggle against the pushback of releasing the experimental Bohemian Rhapsody by EMI boss Ray Foster (Mike Myers). Their refusal to budge and confidence in their success makes you want to stand up and applaud. The band here is shown as a unit and more of this should have been included.

When it comes to Freddie himself, the movie sparkles brightest and injects real emotion and heart. As a character, he is always ready with a quick wit and has a stubborn streak a mile wide. Ever the perfectionist, he is always shown to strive for best- even if it means making Roger sing 'GALILEO' multiple times. Despite this fine and moving portrayal- Singer and McCarten seem afraid to depict the man he truly was. The over-focus on his lifelong companionship with Mary Austin (Lucy Boynton) feels like a misstep and we only get the briefest look at the romances he shared with any male lovers. In particular, it largely ignores his loving relationship with Jim Hutton and his eventual death from AIDS (referenced fleeting in an end title card). Were they afraid to tarnish the name of a man who was unafraid to bend the rules and live life to the fullest? This cautious feel drags down what could have been a great biopic.

While its scripting and feel might not sing the high notes, Bohemian Rhapsody does excellently bring to life just how energetic and fun Queen's live shows were. In glorious and thumping detail plus some excellent Freddie costumes, we find ourselves singing and nodding our heads to the hits. The high point comes from its stunning recreation of Queen's infamous 1985 Live Aid set. Capturing the fever and infectious showmanship that Mercury brought to the stage, you see the crowning glory of an already stellar band. Freddie is at his most complete during this stretch, strutting and commanding the stage and the audience alike as if it's his last moments on earth. While the movie ends on a high note, you are still hungry for more.

Sasha Baron Cohen was the original choice to play Freddie Mercury. But his departure was a blessing in disguise because they couldn't have chosen better than Rami Malek. The movie's shining light, Malek is magnificent as the flamboyant and effortless showman Freddie. Effortlessly bringing to life his ability to steal the spotlight along with his multi-range voice, Malek hits all the right notes. Always the centre of a party and never wanting the good times to end, we see at times a man on the verge of falling over the edge. His arrogance often threats to drive the family apart, but he shows a big heart and soul to continually rally the troops. His performance comes alive during the Live Aid set and wonderfully he recreates the performance move for move and resurrects one of the truly great live performances. Ben Hardy provides great support and some terrific one-liners as Roger Taylor and Gwilym Lee is excellent as the more level-headed Brian May, complete with the appropriate fuzzy hair.

Bohemian Rhapsody is a biopic that is not always in tune and misses a great opportunity to showcase one of the biggest showstopping bands of our time. Rami Malek however, deserves awards contention for his stunning performance. We are still waiting for the hammer to fall!

Monday, 30 May 2016

Reign Over Me: Review of X-Men Apocalypse

X-Men: Apocalypse

Director: Bryan Singer

By Alex Watson



Sadly X-Men: Apocalypse marks a low point for Bryan Singers tenure in this Marvel Franchise. Everything we know and love is there is this feature, but too many adjustments and new character injections are what drags this piece down. It is also not helped by its confusing script and flat storytelling. Changing the character arcs and timelines has been in place since First Class rolled onto screens, but here it is just unbearable.

Rising from his tomb underneath the pyramids after many millenniums, Egyptian God En Sabur Nur/Apocalypse (Oscar Isaac) plots to drag humanity down to its depths and rebuild a better world. In 1983 society, Charles Xavier (James McAvoy) is attempting to establish a school and has come across a talented by trouble protege Jean Grey (Sophie Turner). Meanwhile, Magneto (Michael Fassbender) has tried to live a normal life until tragedy strikes. When Apocalypse threats to ruin earth, each X-Men has his own conflict.

We all want to love X-Men: Apocalypse, but its moral compass just seems to be skewed. Magneto once again is toying with the idea of being both good and evil. Living in Poland he has settled down with a wife and child before (SHOCK HORROR!) tragedy strikes. Xavier still believes there is good in the man, despite he has routinely betrayed him and committed numerous murders. Mystique (Jennifer Lawrence) is also beginning to sink and in this one, she made out to be too much of a do-gooder. Her rousing speeches don't feel genuine and the moral ambiguousness that worked so well has vanished. The new recruits Cyclops (Tye Sheridan) and Nightcrawler (Kodi Smit-McPhee) makes the strongest impression and give us a key reminder of why we loved these characters before. The pain of youth and curse of their powers go give this picture a much needed emotional relevance.

Things start so well when we see Nightcrawler forced to fight the underwhelming Angel (Ben Hardy) in a rage in the cage match. This is as many thrills as the first hour will provide as Singer then insists of bouncing his audience from story to story to set us up for later. Sadly from this point the story becomes muddled and many of the ideas Singer probably wished to include get stranded. Quicksilver (Evan Peters) who was so effective in Days of Future Past is unable to replicate his form here and also due a questionable plot change it leaves us scratching our head. Jean Turner comes across a promising reboot, but here rather frosty character is hard to warm too. Though her inability to control what is a vastly powerful mind does earn a few extra points

The biggest sin of X-Men Apocalypse comes from its flat and unthreatening villain. All of us growing watching or reading the X-Men cartoons loved Apocalypse as the big bad of the franchise. In this universe is a boring and forgettable presence. Showing his backstory provides us with precious little as we see him transported into the body of a young man. After his transformation, he looks more like a replication of Ivan Ooze from Power Rangers than a God with unlimited powers. The whole picture seems to him going around and absorbing other people's powers. His intentions and his hatred for the modern day are never made explicitly clear but we know he wishes to punish them. How he convinces lonely and unbalanced mutants to join his cause doesn't raise any thrills and despite Oscar Isaac's best efforts, this just feels like a huge letdown.

Even the X-Men performances don't grip us like they should do, Michael Fassbender is beginning to struggle with the eternal good and evil conflict of Magneto. Singer should just choose the direction and let Fassbender do this thing because when he does, he is magnificent at it. James McAvoy, as usual, is great (if underused) as the professor but Jennifer Lawrence's complete redirection as Mystique doesn't feel right. She is settling more into physical aspects of this role, but making her a hero is step back. Kodi Smit-McPhee and Tye Sheridan are marked out well as the new blood of the franchise. SMP in particular is able to project the confusion and vulnerability that makes Nightcrawler so great. Also, he rocks his Michael Jackson Thriller jacket!

On the whole X-Men: Apocalypse is just another big budget blockbuster gone south in what has been a bad year for superhero films. Back to the drawing board boys because the old ideas are becoming stale.