Showing posts with label Daniel Bruhl. Show all posts
Showing posts with label Daniel Bruhl. Show all posts

Wednesday, 5 April 2017

Gimme Shelter: Review of The Zookeeper's Wife

The Zookeeper's Wife

Director: Niki Caro

By Alex Watson



While there are some emotional high points, director Niki Caro never finds a fine balance in The Zookeeper's Wife. A standout turn from Jessica Chastain is what keeps this picture together. Set against the Nazi invasion of Poland- there are some jarring images. Caro however, never seems sure whether to expand on these horrors or tell the tale of a loving wife protecting her animals? What should have been a poignant tale of a man and wife struggling to survive feels remarkably shallow on quality.

Antonina Zabinska (Jessica Chastain) lives a happy life running the Warsaw Zoo with husband Jan (Johan Heldenbergh). When the Nazi's invade, their lives are thrown into turmoil from the bombings. With their zoo depleted the husband and wife turn to another occupation- saving lives. Realising the danger Jewish citizens are in, the pair secretly shelters hundred of people. Antonina also catches the eye of ambitious Nazi zoologist Lutz Heck (Daniel Bruhl) which brings a great danger to all.

Caro starts The Zookeeper's Wife in dramatic form. Starting with a peaceful almost dreamlike opening, the love Antonina feels for her life is obvious and she cares as much for the animals as her family. When the zoo is devastated by a bombing raid, our hearts with the Zabinska's as the animal flee from their destroyed cages and roam the streets. Sadly, we never really get a proper insight into this family because Caro seems to dip in and out between a moving tearjerker and a picture that depicts the devastation of the invasion. Many parts of the couple's story are simply blacked out and often are left wondering precisely what is going on? For example, mid-movie Antonina suddenly gives birth to another child. Not once before do we ever hear a squeak about this.

You may think that this is Antonina's story, but in fact, Jan bears more of the stories weight. Forced to do the heavy lifting hiding Jewish citizen under garbage, each time he crosses the German checkpoint our pulses rise. Antonina also has her own problems as she is the one who has to hide the Jews during the day. A tough task considering Nazi patrols are around the zoo daily. During these sequences, there are chills to be had because the slightest noise could spell disaster.  Lutz is at first the charming yet arrogant 'animal lover' whom claims to have no interest in politics. Big surprise he later turns up wearing a Nazi uniform. Although the picture's typical boo-hiss villain, his presence always ruffles feathers as his obvious attraction for Antonina shows through.

Caro does inject some moving images into The Zookeeper's Wife such as ash falling from the liquidated Warsaw ghetto or Jan reluctantly helping Jewish children onto a train. It's the lack of the depth into the Zabinska's that hinders its development. Rarely do we get a proper glimpse at the love or passion for this marriage. Caro also leaves far too many questions surrounding events and these unexplained passages frustrate us. The hardship the couple suffered during war-ravaged Poland is never in doubt, but we never really getting a feel for it either. The bravery that it took to hide away hundreds of people was insurmountable. Disappointingly the movie never takes full advantage of the danger present and the electricity in the air is constantly on low voltage.

Jessica Chastain is the main selling point of this picture and as always she gives a big heart. Antonina Zabinska is a woman trying to help everyone she can. Chastain plays this character with a purity of heart and she willing dives headfirst into danger. Johan Heldenbergh is noteworthy as the self-sacrificing Jan and his heartfelt turn makes him as a bigger star as the leading lady. It's the restraint he shows during the risk he takes that endear him. A cool head is required to outmanoeuvre people and Jan walks through fire more than once. Daniel Bruhl has a great presence as Heck but outside of making demands and acting threatening is drastically underused. After his turn in Civil War far more could have been made of this character.

The Zookeeper's Wife is a picture about remarkable courage and putting other human lives before our own. What the Zabinska's did during wartime is worthy of cinematic depiction- just a shame this movie doesn't do them justice.


Friday, 13 May 2016

Taking Sides: Review of Captain America: Civil War

Captain America: Civil War

Directors: Joe and Anthony Russo

By Alex Watson




There was a fear when Captain America: Civil War rolled around that too many cooks would spoil the broth. Joe and Anthony Russo do a marvellous job (no pun intended) of holding the show together amidst so many old and new Avenger additions. Unlike the previous installments, this one is made out to be simply a filler and it has a more morally complex feeling. The small acts of old and new films come ahead in this one and this sparks this summer's most enjoyable film.

After a mission in Nigeria goes disastrously wrong, Steve Rogers (Chris Evans), Tony Stark (Robert Downey Jr) and Natasha Romanov (Scarlett Johansson) find the Avengers have now been regulated by the U.N. Although the Cap refuses to sign, Iron Man chooses to and in doing so creates a divided group. Tensions will boil over when Rogers chooses to rescue his assassin friend Bucky Barnes/The Winter Soldier (Sebastian Stan).

Captain America: Civil War might just be the finest entry in the Marvel cannon yet. The Russo Brother unashamedly play it for thrillers and throughout the entertainment factor never dips. There is also the first appearance by the new Spiderman (Tom Holland) and T'Chilla/Black Panther (Chadwick Boseman) whom already are getting us excited for this new chapter. Without the Hulk or Thor, this group still packs a mighty punch and the mutual hostility between the Captain and Stark is electrifying. The lines between enemy and ally are blurred in this one as Black Widow finds herself conflicted towards keeping peace and joining the fight. Scarlett Witch (Elizabeth Olsen) is struggling with her powers and is at fault for causing mass casualty during their heroic Nigerian mission. When Sam Ross (William Hurt) reappears with a U.N sanction signed by 117 countries, this elite team is grounded.

There might be a distinct lack of a main villain asides from Daniel Bruhl's ambiguous former soldier Helmut Zemo, but even he still plays a vital role in dividing the numbers. Bucky is very much the catalyst in this piece and is still wrestling between his Soviet programming and becoming the man he used to be. After being framed for a bombing in Vienna, Bucky's mere presence earns him the wrath of the new King of Wakanda T'Chilla who vows to take him down. Rogers refused to give up on his former childhood friend and his decision leaves many angered and vengeful. Despite the nostalgia, old Bucky is still a dangerous weapon and still has blood on his hands. From here the once steadfast group takes sides and a mini war breaks out. One huge battle against an airport strip becomes a punch and explosion filled venting ground for each. The Russo Brothers make sure they throw in everything but the kitchen sink- this case Antman (Paul Rudd) makes literally the biggest appearance.

What sets Captain America: Civil War apart is its well-written script and heart grinding finale. Often in this series the makers fall into the same trap of unnecessary plot devices, lackluster villains and the same default final battle in the air. The Russo's are aware of what flaws there have been and refuse to fall into the same trap. During a gut-wrenching final act, some hard truths are reveal and people's agendas become blurred. All the way through there is the big notion of who the Avengers should answer to? Well, it appears that the answer is each other because Stark's hatred and suspicion of Bucky come full circle. Watching the two former comrades do battle is both thrilling and devastating and they both equally influence different key players to join their side. Now this is very much what you call an ultimate showdown- Synder take notes.

Chris Evans has grown into this role well, but in this installment, it feels like he goes deeper. Rogers in Civil War is a morally conflicted yet dutiful friend and he is aware of his wrongdoing but refuses to back away. Evans handles the physical side of his character well but this one demonstrates the talent he has behind the mask. Robert Downey Jr gives perhaps his most convincing turn yet as billionaire stark because in this one he has left his cocky side at home. Throughout he attempts to stamp down his authority but his attempts at safeguarding the cause he bankrolled only cause trouble. It's his emotional vulnerability during the impressive third act that impresses the most as Stark wrestles with his past demons along with his new found fury. Chadwick Boseman also deserves a mention for his frowntastic Black Panther. In limited screen time, we have a glimpse of what could be an authoritative and slick new addition- hurry up Ryan Coogler.

Forget any competition for the number one summer film, Captain America: Civil War succeeds where Dawn of Justice failed miserably. Finally, Marvel has found its new strongest link and now can look forward to one hell of an Avengers 3!





Tuesday, 15 March 2016

Five Great Racing Movies


Senna (2010 Dir: Asif Kapadia)

The life of Ayrton Senna was no ordinary thing and in 2010 British director Asif Kapadia finally shed light on one of F1's finest. Treading a fine line, Senna shows its subject as both hero and villain who although one of the finest drivers of his time was at times one of the most stubborn. Best of all, it goes deep into the Brazilians psyche and undercovers a deeply conflicted soul. Possibly the finest movie that motorsport will ever produce.




Rush (2013 Dir: Asif Kapadia)

Winner of this blog's Film of The Year in 2013, Ron Howard finally succeeded in bringing an excited F1 movie into the 21st century. Replaying the sheer drama and chaos that was the 1976 season, the battle between playboy James Hunt (Chris Hemsworth) and calculated Niki Lauda (Daniel Bruhl) was captivating. Effortlessly capturing the drivers vastly different persona's, it also brought forward the painfully recover of Lauda after his fiery crash at the Nurburgring. Live action racing has a front runner.





Le Mans (1971 Dir: Lee H Katzin)

Steve McQueen's love of Le Mans was well known throughout his life, so who better to star in a motion picture version. Story wise there is little other than McQueen looking his trademark cool self, but on the track is where the picture really sizzles. Driver Michael Delaney is still guilt-ridden over the death of a rival but the thriller of racing is still an addiction. Drawn into a battle with rival Erich Stahler, the pair of do battle on for the crown of sportscar racing.



Grand Prix (1966 Dir: John Frankenheimer)

Before Rush, this picture was considered the pinnacle of F1 films by director John Frankenheimer. Demonstrating the kamikaze feel of racing in the 1960's, star James Garner makes for an interesting centerpiece as American Pete Amon. A former star who is fading away, Amon has competition from world champion Jean-Pierre Sarti (Yves Montand) and recovering team Scott Stoddard (Brian Bedford). Featuring cameos from greats Stirling Moss, Juan Manual Fangio and Graham Hill, Garner was the real star as he did all his own driving which drew admiration for many drivers.




Days of Thunder (1990 Dir: Tony Scott)

Tom Cruise and Tony Scott's second outing together may have unimpressed critics, but the action on the track is still great. This may be Top Gun in a Chevrolet but together Cruise and Scott make you want to attempt Daytona on impulse. The early action scenes between hot shot rookie Cole Trickle and underhanded champ Rowdy Burns (Michael Rooker) set up the late drama. However, it is his rivalry with cocky new boy Russ Wheeler (Cary Elwes) that provides the real interest. Try watching the final Daytona 500 sequence with grinning from ear to ear.