Showing posts with label Joe Cole. Show all posts
Showing posts with label Joe Cole. Show all posts

Sunday, 22 July 2018

Lock Up: Review of A Prayer Before Dawn

A Prayer Before Dawn

Director: Jean-Stéphane Sauvaire

By Alex Watson




A daunting, often horrifying yet utterly uplifting experience- director Jean-Stéphane Sauvaire has created something very unique. A Prayer Before Dawn brings the gutsy and unrelenting prison horror of movies such as David MacKenzie's 'Starred Up' and Alan Parker's 'Midnight Express'. The story of an English abroad has a fresh and disturbing twist put on it and with a bold turn by Peaky Blinders star, Joe Cole this is one of the stand out movies of 2018!

Billy Moore (Joe Cole) is a young and destructive British ex-pat living in Thailand. When he is jailed on weapons charges he is thrown into the squalid hell hole 'The Bangkok Hilton'. Living in deplorable conditions and under continuous threat of rape and violence and ostracized by the population, Billy struggles to keep his head. However, he soon learns to channel his aggression by embrace Muay Thai boxing and soon he begins to become respected. This sport might be his only chance at finding redemption, but is he worthy of glory?

Director Sauvaire refuses to let his audience off easily and some of the visuals Billy has to endure are terrifying. Early on we see him forced at knifepoint to witness a brutal gang rape where a gang shows their dominance over him. There is a complete lack of subtitles throughout this picture which goes some way to showing the isolation and confusion that Billy experiences. This young man is like a ferocious bulldog who is forever getting into scraps and combined with a crippling drug addiction it feels like a matter of time before he pisses the wrong guy off. Left to rot in deplorable conditions, you can also smell the urine, sweat and vomit that coat the floors of the prison. This is part of the genius of Sauvaire's direction because he drags us into the same space as Billy and we feel unable to escape.

There is little dialogue throughout this picture, but the repressed emotion and rising tension speak loudest of all. Billy is a young guy unable to express himself and the victim of continuous corruption inside the jail. Forced to beat inmates for a hit of 'Ya Ba' (crystal meth) and continuously tortured both mentally and physically by guards and inmates alike, only hope is to join the prison boxing team. The physicality of these sequences is where A Prayer Before Dawn comes alive. The handheld photography of David Ungaro brings the audience up close whenever our hero takes to the ring. The sound of pounding fists, the splatter of blood and the thump of bodies hitting the floor are amplified for maximum effect. By the climax, we feel almost dizzy and nauseated as Billy emerges bruised and bloodied.

A Prayer Before Dawn is a picture about how redemption can be found in the most unlikely of places. Billy is like a volcano that is on the verge of erupting, but in the ring, he finds a sense of purpose and acceptance from fellow inmates. His budding relationships with the boxing team gives a humanity to proceedings and the non-professional actors including Olympic gold-winning Thai boxer, Somrak Kamsing are excellent. Has Billy done enough to be worthy of freedom? Sauvaire leaves this open for debate, he does show a genuine goodness to this man and his hard desire to be redeemed.

Joe Cole has been making headway on the big screen with outings in pictures like 'Thank You For Your Service', but this picture solidifies his status as a rising star. As Scouser Billy, Cole is like a ticking time bomb and there is a barely concealed sense of fear and anger bubbling away. Cole's performance is so intense that it demands your attention and he puts both himself and the audience through the emotional wringer. His talent on Peaky Blinders has come full circle and Hollywood needs to come calling. Also look out for a cameo from 'Only God Forgives' star Vithaya Pansringarm as the prison warden.

A Prayer Before Dawn is a tough movie to sell and those who do watch will be scarred and inspired in equal measure.

Friday, 6 May 2016

The Backwoods: Review of Green Room

Green Room

Director: Jeremy Saulnier

By Alex Watson




Currently the new hot indie director on the block, Jeremy Saulnier has once again created another inventive thriller in Green Room. Although it lacks the black comedy element of his debut, Blue Ruin it does succeed in cranking up the suspense to unbearable levels. Its unique setting of a band being trapped in the midst of bloodthirsty Neo-Nazi may raise and eyebrow, but it is executed so slickly that soon it is the furthest thing from your mind.

The Aint Rights are a punk band consisted of Pat (Anton Yelchin), Reece (Joe Cole), Tiger (Callum Turner) and Sam (Alia Shawkat). Arriving for a gig in Portland, Oregon they quickly establish the crowd is made up of White Power followers. In the green room afterwards, they witness a horrifying act which leads to them being taken hostage. The bars owner and leader Darcy (Patrick Stewart) is particularly eager to be rid of them.

Opening with a series of misadventures that sees this band booked into the worse possible venue. Immediately upon opening they suicidally decide to cover The Dead Kennedy's anthem 'Nazi Punks Fuck Off!' Although set wins over a few admirers, especially with the psychotic Werm (Brett Werzner) who fronts house band. All seems ordinary enough as the band is ushered away after being paid, but when they stumbled upon a freshly murdered corpse things take a bad turn. Here they come across Amber (Imogen Poots) who is forced to hole up in the green room with them while the troopers are called.

The arrival of the calculated Darcy sends ripples in the water because he is a man who is happy to resort to negotiations by either  murder or using words. Threatening even when standing behind a door frame, he rallies the men including Gabe (Macon Blair) for one hell of a night. Soon Green Room takes on a tense and claustrophobic feel where both sides are required to think fast to resolve difficult situations. Frequently things could potentially descend into Django Unchained style shootout horror, but thankfully Saulnier keeps his story in check. Given his audience short but controlled bursts of excitement adds to already building suspense.

There is a bleak feeling surrounding the middle of nowhere club and a happy ending is not at all guaranteed (what fun would that be right?). Through our heroes and villains, we are given a surprisingly deeply bunch, especially Gabe whose motives might not be hurtful. Pat becomes the defacto leader, who at first struggles against the tide but grows a set later on. This band is in a venue far out of their depth to begin with and although they play out as being anti-society, they are more normal underneath the surface. Like Blue Ruin before it, the ending provided is very unexpected and will leave Saulnier fans puzzling over its meaning.

Although we are given fine lead turns by Anton Yelchin and Imogen Poots, this picture belongs to the supporting turn of Patrick Stewart. Obviously happy to play against type, Stewart takes on the evil mould with such relish it is almost frightening. Darcy is a man who keeps his head level and his thinking a dozen moves ahead. Yelchin does excel as the weak yet determined Pat and his transformation to reluctant and desperate hero is noteworthy. Macon Blair once again proves to be Saulnier's go to man despite a lesser role and his downplayed loyalty to his leader almost makes us feel pained as he is aware of the sacrifice he is making.

Green Room is a clever thriller that once more puts Saulnier on the map as a potential indie king. Knowing how to stretch a low budget and a keen eye for story, something tells me this man has a big future ahead.