Stupify: Review of Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts: The Crimes of Grindelwald

Director: David Yates

By Alex Watson

Two installments in and the Fantastic Beasts franchise is still struggling to find sure footing. The first outing had some kinks but Fantastic Beasts: The Crimes of Grindelwald fails to iron them out. While there are individual moments that impress, the amount of CGI finesse cannot disguise the thinly layered plot and the lack of narrative. The wizarding world is a place of limitless potential, but in the hands of David Yates, its effect is starting to slip.

Permanently banned from international travel after the events in New York, Newt Scamander (Eddie Redmayne) is thrust back into the fight against evil by old professor Albus Dumbledore (Jude Law). Meanwhile, evil wizard Grindelwald (Johnny Depp) cunningly escapes from prison and sets his plan to have pure-bloods dominating both the wizard and muggle worlds. There is also the added problem of troubled young wizard Credence (Ezra Miller).

Fantastic Beasts: The Crimes of Grindelwald is a rather tame beast throughout. Often promising more than it delivers, we are left with what feels like a build up for the next installment. The first half certainly delivers some stunning pieces- such as Grindelwald's daring escape from a flying carriage. This picture also makes the most of its 1927 Paris setting and the cinematography by DP Phillipe Rousselot is among the movie's biggest accomplishments. Sadly JK Rowling's script is content just to plod along exploring any number of side plots. Newt is still dealing with the fallout from his New York adventures and is unwilling to 'pick a side' with the upcoming good vs evil fight. This character while the clear lead is oddly rather bland and unappealing. Newt still pines for his crush Tina (Katherine Waterson) and a large portion of the movie teases the 'will they/ won't they' business.

Some of the major plot points hit- such as muggle Jacob (Dan Fogler) attempt to keep his romance to Queenie (Alison Sudol) on track. A mismatched pair as Queenie is pure blood, this gives us the very definition of a doomed romance. Credence is a character that everyone pursues- but in reality, his character is given little to do except look sullen. Grindelwald while a scene grabbing villain is restricted to only a couple of key scenes. His appearances provide some bursts of colour and potential for an epic showdown. This lack of inclusion proves frustrating and the movie seems more invested in bringing to light the backstory of Lita LeStrange (Zoe Kravitz) than it does with developing its villain. While Dumbledore's inclusion does throw more light on what is ultimately a very bold and tricky wizard, he is given barely any time to make an impact.

Perhaps the most frustrating aspect of Fantastic Beasts: The Crimes of Grindelwald is its lack of resolution. Towards the end, Grindelwald holds what is arguably a mass pure-blood rally. Rather than going away satisfied after a mass magic battle and some closure thrown in for good measure- we are instead left confused and deflated. What feels like a blockbuster finale is in fact rather flat and lifeless affair. There is a cliffhanger feel and perhaps the third outing with finally satisfy all tastes. David Yates is now on his sixth outing in the wizarding world. He did a stellar job over the final four Harry Potter films. So far, the Fantastic Beasts franchise has been less kind to his abilities and this begs the question if he should make way? Some blockbusters know how to leave audiences wanting more- this picture does it the wrong kind of way.

Eddie Redmayne while a capable actor doesn't feel like a good fit for Newt Scamander. Often struggling to completely convince as the awkward and bumbling wizard, Redmayne has yet to find the groove of this character. Katherine Waterson is one of the most underrated actresses on the planet. Once more she is shortchanged in a big movie and her Tina Goldstein is given little chance to make an impact. Johnny Depp however, despite a lack of screentime is thoroughly commanding as Grindelwald. There was controversy galore over his casting, but Depp is very much the villain the series needs.

Fantastic Beasts: The Crimes of Grindelwald is a movie that promises a great deal but seems content to let its audience sit and wait.

All Aboard: Review of Murder on the Orient Express

Murder on the Orient Express

Director: Kenneth Branagh

By Alex Watson

Agatha Christie has never looked so stylish. Kenneth Branagh gives his audience an enjoyable ride in Murder on the Orient Express. Showing some neat visuals and generating some lovely moments of mystique on board the cramped rail coaches. But despite sporting a wonderful heavyweight cast- we can't escape the fact that the needed tension is disappointingly absent. Branagh adds style and finesse- but this fails to really add anything new to an already well-covered story

After successfully solving a mystery in Jerusalem, world-famous Belgian detective Hercule Poirot (Kenneth Branagh) decides to take a mini holiday on board the Orient Express. While onboard, suspicious American businessman Samuel Ratchett (Johnny Depp) is stabbed to death. Although wishing to stay out of it, Poirot is the only man on board who can find the killer. This will be his most challenging case yet because all the passengers seem to have their own past demons.

Murder on the Orient Express is a very beautiful looking movie- thanks in part to the colorful and scenic photography by DP Haris Zambarloukos. Branagh definitely has the look of the era down and he is clearly having a ball playing the egotistical but brilliantly minded detective. Nailing down the more tricky aspects of his persona (including his obsession with having two perfectly symmetrical eggs)- Poirot is a nemesis for any criminal. When the passengers are loaded onto the train in Istanbul, the tension begins to build wonderfully. Ratchett emerges as a rather crass and bullying figure who is beginning to fear for his life. The passengers nervous and scornful looks they pass at each other give sparks of mystery.

When the big moment hits- the air seems to go out of the picture. The suspense seems to feel flat and although the legendary reveal is still clever, in this adaptation it just feels predictable. The cast that Branagh has assembled is wonderful to watch, but great names such as Judi Dench, Derek Jacobi, Daisy Ridley, Michelle Pfeiffer, Penelope Cruz, Josh Gad and Willem Dafoe are confined to bit parts. As the mystery unravels there are some fine moments of emotion on display. Josh Gad, in particular, comes up with some fine acting which gives depth to a complex character. Poirot already seems to have an idea of who the killer is, but knows he must tread carefully. The claustrophobic setting of the train carriages is still nerve-wracking in places. With the train derailed by a snow drift, Poirot knows every step he takes could be dangerous.

Classic mysteries like Murder on the Orient Express are rarely seen in today's film world. Although Branagh still gives us a great middle of the road thriller, you can't help feeling that this tale feels dated. Already well adapted for film and television, Branagh is unable to bring any new to proceedings. Any newcomers to this story will be able to guess to the big finale from a mile away- partly because Poirot gives red herrings throughout. Although there are some missteps its a picture that still entertains and on the visuals and star power alone, this is a good journey onscreen.

Kenneth Branagh does an interesting new spin (and new mustache) as the famous Belgian Poirot. A more physical version of this character, Branagh is unafraid of doing more heavy lifting that sitting around. He wonderfully shows the more quirky side to this character and is unafraid to give light to his arrogance. However, TV's David Suchet remains the perfect Poirot. In the supporting ranks, we are given some performances to savour. Michelle Pfeiffer, in particular, is glorious as the conflicted Caroline Hubbard. Derek Jacobi still shows he has a presence that few veterans as the tricky Edward Masterman- his character alone deserved more screen time.

Murder on the Orient Express is a mystery that is still rightly regarded as a classic. However, despite Branagh's best efforts, it doesn't feel any newer on screen.

A Boston Tale: Review of Black Mass

Black Mass

Director: Scott Cooper

By Alex Watson

A powerful central performance from Johnny Depp brings Scott Cooper's picture, Black Mass to life. The reign of James 'Whitey' Bulger in South Boston was a long and brutal one. Not helped by the fact this man had free rein from the FBI. Cooper is gives a bold and bloody depiction of one of most notorious gangsters in US history. An intelligent script from Jez Butterworth and Mark Mallouk, breathes new life into this genre and goes to show that gangster influenced through other means than money and violence. 

James 'Whitey' Bulger (Johnny Depp) rules South Boston with an iron fist and through the 70's and 80's it became his personal playground. While his brother Billy (Benedict Cumberbatch) became a state senator, Jimmy decided to keep things in the neighbour. Former child friend turned FBI agent John Connolly (Joel Edgerton) has a big idea. After great bargaining he convinces Jimmy to become a FBI informant, which allows him to clear his rivals. However, soon the bodies begin to pile up and Bulger soon abuses his immunity from prosecution. Soon loyalties will be tested as the FBI begins to wise up. 

Black Mass is a film filled with all kinds of sharp turns and shocks. There is a heavy irony hanging over Bulger who with all his heart despises rats but yet he has become to biggest rat in the city. Bulger Throughout he is a nerving presences with his shaved head and piercing blue eyes. Cooper effectively nails his convoluted persona. At first he is the perfect gentleman, but the next moment he is putting a bullet through your skull. One dinner table scene sees him give a thinly veiled threat to a FBI agent for divulging his family secret for cooking steak and for rolling over so easily. In this moment his cold gaze is utterly terrifying as he says "Just saying... can get you buried real quick!" 

Bulger isn't made out as an out-and-out psychopath and Cooper invests wisely in bring forward the trauma of losing his young son. The key moment that perhaps breaks his spirit is when his young wife Lindsey (Dakota Johnson) vows to 'pull the plug' on their boy's life support. He is a man beloved by his community who despises the Italians and especially the British. One small but vital sub-plot sees him proudly selling arms to the IRA.  His brother Billy has in his eyes become one of the smug members of Cambridge, Mass. Throughout his older brothers actions are bane on his political career, but Billy takes no action because "Jimmy's business, is Jimmy's business." 

Connolly is a man who believes in the loyalty of the neighbourhood and is in awe of his former friend. There is a alpha-male feel all throughout between these two figures and at times Connolly feels like the little boy still sucking up to the school bully. All around the bureau there is a feeling this will be a costly expenditure. Bulger fails to see becoming an informant a betrayal because it is not ratting. Also it gives him his goal of finally being rid of the Costra Nostra in the north end. Soon it becomes clear to the FBI that his 'intel'  has been nothing more than smoke and mirrors. Connolly throughout is under the same delusion as Jimmy that everything will stay hidden. He still fails to see that his former friend has done nothing but play him and that he idolizes a man who has introduced drugs to kids all around his old neighbourhood. 

Johnny Depp gives an Oscar quality performance as Whitey Bulger in Black Mass. A gripping presence throughout Cooper's movie, Depp shows the type of menace he is capable of pulling off and as Bulger he provides a wonderful frosty chill. Depp also appears comfortable with handling the heavier portions and his handling of the grief and devastation that Bulger feels at the loss of his son is truly magnificent. Joel Edgerton also continues his fine run of form and as Connolly he gives a wonderfully macho performance. This manis almost the villain of the piece due to his willing protect of a real monster. Edgerton gives him a likeable arrogance where even the most pessimistic can respect his wish for advancement. 

Black Mass is one picture that we can at least expect to see in the acting categories come awards season. Johnny Depp may have had a couple of wobbling outings before, but this performance sees him climb right back on top! 

Alex's TIFF 2015 Picks

Soon the 40th annual, Toronto Film Festival will be upon us and again I am proud to be volunteering for this fine event This year I will be taking up residence at the Bell Lightbox Theatre, but I am hoping to provide as many live reviews as I can during the festival.

Here are my picks for this year's festival 

Demolition

Dir: Jean-Marc Vallee  

Chosen as the opening night film for the festival, this one for French-Canadian director, Jean-Marc Vallee already has awards potential about it. When successful investment banker Davis (Jake Gyllenhaal) loses his wife in a car crash, his world begins to fall apart. With an actor like Gyllenhaal abroad, you know this story will be a hard hitting one. Also with support from the likes of Chris Cooper and Naomi Watts- this could be a festival highlight. Closer to the Edge's Best Director of 2014, Vallee is on a fine run of form and it looks like it will continue here!

The Martain  

Dir: Ridley Scott

Ridley Scott again returns to the sci-fi genre and has brought with him one of the finest casts of 2015! Astronaut Mark Whatney (Matt Damon) is left behind and presumed dead after a disastrous mission to Mars. With limited supplies and little chance of survival, his only choice is to beam a signal back to earth. A cast also including Jessica Chastain, Kate Mara, Jeff Daniels, Chiwetel Ejiofor and surprisingly Kristen Wiig, Sir Ridley promises one of the big rides of this year.

Freeheld 

Dir: Peter Sollett

Promising to be one the festival's rollarcoaster emotional rides, this effort from director Peter Sollett looks interesting. When New Jersey police detective Laurel (Julianne Moore) is diagnosed with cancer, she and her domestic partner Stacie struggle to secure her benefits to pay her for treatment.  Featuring a pair a great pairing of Julianne Moore and Ellen Page, this is one story that is likely to capture our hearts.

Legend 

Dir: Brian Helgeland

Tom Hardy is always has a fierce presence on screen, so just imagine the effect having him play two characters at once! Based on the story on notorious London mobsters, Ronnie and Reggie Kray (Both Tom Hardy) this film recounts the terror they beset upon the criminal underworld in the 1950s and 60s. Expect things to get heated and for Tom Hardy to be likely excellent twice over. The Krays were a formidable force, expect the film to follow suit!  

Black Mass

Dir: Scott Cooper

In what could be one of the performances of 2015, Johnny Depp is infamous Boston mobster Whitey Bulger. Documenting his rise to becoming the most famous criminal in US history, director Scott Cooper has surrounded this film with a fine cast including Benedict Cumberbatch, Dakota Johnson, Joel Egerton and Kevin Bacon. Depp looks like he could be providing us with a career best turn here, expect Toronto audiences to go wild.