Ace's High: Review of Molly's Game

Molly's Game

Director: Aaron Sorkin

By Alex Watson

Aaron Sorkin's first time behind the lens is certainly an entertaining one. Molly's Game has plenty of visual and narrative trickery to make it a slick and engaging drama. Although Sorkin shows promise, this movie doesn't quite have the winning hand needed. There is great tension and intrigue in the gambling world that Molly Bloom immersed herself in and a typically strong Jessica Chastain gives this tale a boost.

Molly Bloom (Jessica Chastain) is a former skier who has recently moved to Los Angeles. Quickly she finds a job working for a douchey Hollywood executive who asks her to organize a weekly poker night. Immediately she discovers a knack for running game night's and soon she attains a big celebrity clientele. However, her ascent to becoming a 'poker princess' will lead to her eventually crossing into illegal territory.

Molly's Game is a movie that clearly respects and admires its subject. In a breathless and enrapturing opening, we meet Molly as a member of the U.S Ski Team attempting to qualify for the 2002 Salt Lake Olympics. When she is injured, she has to rethink her career path and this is what leads her towards the poker world. Bloom soon emerges as a contender with both the savvy and smarts to build an empire. At first, she lives by a tight moral code as she refuses to accept payment and stays away from gambling herself. The early heyday is where the movie is at its strongest and Sorkin builds a great interest in not only how the game functions but the methods Molly uses to stay ahead. The movie moves back and forth between past and present to when Molly is being charged for her alleged involvement with the Russian mafia. Attorney Charlie Jaffrey (Idris Elba) is now faced with a near-impossible task of keeping her out of prison.

To keep her out of the big house, Molly must reveal what she knows to the US government. Keeping her cards close, she refuses to fold under pressure. This leads to verbal jousting between her and Charlie as her attorney mentally digests her decision to keep silent. There are some interesting aspects to Molly's backstory such as her fractured relationship with her psychologist father (An underused Kevin Costner). Her rise in the gambling world is what keeps this movie at the table and although she becomes vastly wealthy, she often rubs others the wrong way. Falling foul of high rolling celebrity Player X (Michael Cera) forces her to relocate to New York which is where her downfall begins. The problem that Sorkin faces midway is sustaining interesting and upping the already high stakes. Unfortunately, despite some unpredictable storytelling, this movie is unable to lift itself to where it needs to be.

The third act of Molly's Game is where the game beings to fold. Sorkin is keen to point out that Molly is very much a victim of having her success abused by wealthy men. What Molly Bloom achieved is nothing short of remarkable, but Sorkin seems to be unclear in what sort of reaction he wants from his audience? Because of this indecision, the wanted fireworks are never released during the film's finale. The scenes between Molly and Charlie are often enthralling but seem to lack a special something to make them memorable. Sorkin's movie desperately wants to be a classic poker movie and so far, it is definitely the best modern movie about playing cards. As much as we want it to be an award's contender it cannot bluff like a pro.

Jessica Chastain proves she is one of the Hollywood's elite talents with yet another powerhouse turn. As Molly Bloom, she is strong, smart and has plenty of moxie to boot. Showing this character as one weary from her time riding high, Chastain peals away the layers of this character to reveal who deep her conflict runs. Already an award's favourite, you can expect Chastain's name to appear constantly come Oscar time. Idris Elba, unfortunately, is stuck in a less weighty role as Charlie. Reduced to just shouting constantly, his presence does inspire some great scenes with Chastain. Sadly, this character is drastically underwritten so any potential effects are lost.

Molly's Game shows that Aaron Sorkin can walk the walk behind the lens as well as on paper. With time, our favourite writer could be something special!

T-Minus: Review of Hidden Figures

Hidden Figures

Director: Theodore Melfi

By Alex Watson

Hidden Figures brilliantly brings to light the essential role played by three African-American women during the Space Race at NASA. A story previously unknown to the public, all three helped change the boundaries of both gender and race during their time at this institution. Director Theodore Melfi brings across as a heartfelt feel to this picture and wonderfully lets the story tell itself rather than going for an overblown approach. The work these three women did was nothing short of miraculous and John Glenn's now famous flight might have been a far different story if not for their actions.

Katherine Goble (Taraji P. Henson), Mary Jackson (Janelle Monae) and Dorothy Vaughn (Octavia Spencer) are all employees of NASA. All feeling frustrated by the lack of advancement for both women and African-American's, each will take liberties into their own hands to get their voices heard. Space Director Al Harrison (Kevin Costner) is concerned with the upcoming space flight by John Glenn (Glen Powell). With the world watching, all of these three women will combine to launch one of the most anticipated moments in history.

The strength of Hidden Figures come from the toughness of each of the three leads. All are brilliant and brave in their own ways, Katherine is a mathematical genius whose gift is frowned upon by her all male superiors including insecure Paul Stafford (Jim Parsons). Dorothy is the defacto leader of a team of 'Computers' who is repeatedly denied promotion despite being overqualified. Sharp-tongued Mary while encouraged to be an engineer is denied due to silly technicalities. Melfi presents each of these characters with great authenticity and doesn't succumb to the urge to phone in the message. Set against the era of segregation, their battle isn't just in the workplace, it's all around. Thankfully the people around them are not presented as outright racists. Characters such as Kirsten Dunst's snooty Vivian Mitchell are ones bound by tradition and protocol.

Against the clock with the space race, the US is losing ground to the Soviets once Yuri Gagarin goes into orbit. Al Harrison is a boss that at first is concerned only with the job, once he gets wind of Katherine's ability with numbers it makes things a whole new ball game. All on her own at first, she receives a cool and hostile welcome. The only coloured bathroom she can use is half a mile away at her old building. She looks destined for obscurity until both John Glenn and Harrison see that the importance of this mission hinges on her. His defence of her isn't one where the sparks fly and no passionate speeches are given, just a quiet assurance that her qualifications are essential. Mary is also fighting her own battle because her wanted promotion depends on her taking advancement courses at an all white school. Mary is someone who doesn't need people fighting in her corner, through using her own words and her natural instinct is able to overcome anything.

Hidden Figures is a tribute towards those who refused to be confined to the shadows. Battling prejudice throughout, each member shows their spirit and determination when times get hard. Dorothy in particular comes across as a real hero when she learns to program IBM machines better than the men who built them. It is impossible to think of John Glenn's flight without their involvement. Katherine's maths is by the far the element that makes the difference because although Stafford arrogantly states his math is perfect and tries to black out key 'classified' information, Katherine repeatedly sees the flaws. The men in their lives are also quietly brilliant with a wonderfully romantic turn by Mahershala Ali as new lover Jim Johnson. Playing both father figure to her three daughters, Jim is the rock she needs and this story is one that gives this picture a sweet feel.

Three magnificent turns are what makes this picture so potent. Taraji P.Henson is Oscar worthy as the brainiac Katherine. Giving her a silent determination, Henson gives a turn that has both heart and great charm. By far the strongest character of the bunch, this could open new doors for this actress. After impressing as a surrogate mother in Moonlight, Janelle Monae is a force of nature as Mary Jackson. Gifted with a quick wit and even quicker tongue, this woman is unafraid to go it alone when it comes to her dreams. Octavia Spencer could well be up for supporting honours again with another tough and frank turn as Dorothy. Authoritative whenever she is on screen, this kind of role is second nature to Spencer. Kevin Costner is also impressive as boss Al Harrison and shows how memorable he can be with the right type of part.

Hidden Figures is a picture that stands out on its story alone and is one that could see some love when it comes to awards season.

Best Donald Sutherland Roles

After his villainy masterclass in The Hunger Games trilogy, this week we salute a real Canadian treasure. The 80 year old native of St Johns, New Brunswick has brought a lot more to cinema than his son Kiefer. Possessive an ability to steal a film away with only the most deft of touches, Sutherland is one of cinema's true underrated greats. Here are a collection of his greatest on screen appearances

(**Apologies for not being able to provide all videos directly!)


John Baxter: Don't Look Now

Sutherland's performance here is magnificent two part one- on the one hand he expertly gives a devastating real impression of a bereaved father. On the next hand he is a man whose curiosity is leading him down a very dangerous road. Haunted by a small figure in red mack around the lurking streets of Venice, director Nicholas Roeg encaptures the true horror involved. But its the opening scene that sets the tone as every parents nightmare comes to life The abject fear and crushing bewilderment in his eyes makes his character come alive.

https://www.youtube.com/watch?v=U8yqq6uBrKc



Colonel X: JFK 

Swiftly stealing Oliver Stone's movie from under star Kevin Costner, Sutherland provides what is the most accomplished cameo is this 1991 ensemble. "Call me X" his whistle-blowing army Colonel informs D.A Jim Garrison. What follows next truly turns Stone's movie around and we realize this is no ordinary conspiracy. Speaking at unhurried pace, the almost creepy joy X has while hold his deck of substantial cards slowly elevates tension. Did his transfer to a remote base in the South Pole have nothing or everything to with the assassination? This brief appearance leaves us reeling.

Ronald Bartel: Backdraft 

Another showcase of his scene stealing abilities, as recovering fire-bug Ronald, Sutherland is absolutely electric in Ron Howard's drama. Appearing a collected, if slightly odd character he is needled like acupuncturist by fire investigator Shadow (Robert De Niro). His sudden childish glee at his desire to what he wishes to do to the world, "Burn it, burn it all!" is utterly frightening and his more dangerous side appears. One of his more OTT on screen moment but when carried with such gusto it hardly matters.

Calvin: Ordinary People

As father Calvin Sutherland is reduced to playing referee to control the bitter animosity of his wife and son. Secretly drowning in his sadness and despair following their beloved older son's death, Sutherland brilliantly plays a man just trying to hold on. One of the great missed performances that Oscar should have rewarded, Sutherland's underplaying of his final scene with Mary Tyler Moore lament her coldness and their lost love as a result is heart rendering.

Hawkeye Pierce: M*A*S*H 

He may not have made as many waves as Alan Alda as the laid back, Martini loving Hawkeye but Sutherland is still wonderful in Robert Altman's satire. Constantly sporting his beloved shades (even during surgery) Sutherland gives one the more refined demonstrations of comedic touch. Always one to make his point in an almost docile manner, Hawkeye is the man every wants to go and among the various characters teetering on the verge of breakdown- Hawkeye is the only level head. Shown during his calculated and casual baiting of rival Frank Burns (Robert Duvall)

https://www.youtube.com/watch?v=LXtVS8SFmJw

3 February Films To Watch Out For

Kingsman: The Special Service

From Matthew Vaughan who delighted us with Kick Ass back in 2010, it looks as if he has delivered another great adaptation from a Mark Millar comic. With a breakout turn from Tamin Egerton as street youth Eggsy who finds himself becoming the protege of renowned secret agent Harry (Colin Firth). But with Samuel L Jackson anchoring the villian ranks, you know that things will soon get out of control, but can the young man leave his past behind?

Release Date: February 13th


McFarland, USA

Once more Kevin Costner turns to the sporting genre in this feel good tale. Based on the true story of high school running coach, Jim White this one sees the underprivileged children of McFarland High School gunning for glory at the State Championship. However, can many of these children survive the tough environment they have grown up in? This looks like an assured effort from director Niki Caro!

Release Date: February 20th

71

Receiving numerous critical acclaim upon its release last year, finally Yann Demange's chest tightening thriller makes its way to Canadian soil! Young soldier Gary (Jack O'Connell) is serving in Northern Ireland with his regime. But when he is left behind in the midst of a riot, Gary must make his way back to base whilst hiding from the Provisional Army and relying on the kindness of civilians around him. From the footage on display and a rising star in O'Connell, this one may require a defibrillator!

Release Date: February 27th