Showing posts with label Linda Cardellini. Show all posts
Showing posts with label Linda Cardellini. Show all posts

Thursday, 6 December 2018

Goin' South: Review of Green Book

Green Book

Director: Peter Farrelly

By Alex Watson




After winning the Viewers Choice prize at the Toronto International Film Festival, Peter Farrelly's Green Book is a film which is Oscar assured. A touching yet utterly hilarious look at real and unconventional friendship, Farrelly shows how two polar opposites can attract. On one side a firm commentary about the mistreatment of African Americans during segregation, the other this is a movie about how courage can truly make a difference. With two stunning central performances, this picture is a powerful and endearing look at a difficult time in American history.

Tony 'Lip' Vallelonga (Viggo Mortensen) is a bouncer at the Copacabana who is very quick with his fists. After the club closes for renovations, he needs work to tie him over for the next 8 weeks. Soon after a chance comes his way to drive renowned pianist Dr. Don Shirley (Mahershala Ali) on his tour of the Deep South. Needing someone to help him steer clear of trouble, the two at first continually aggravate and embarrass one another. As the trip progresses, both men will find a lasting friendship in the most unlikely way.

Green Book is a movie that is dedicated to showcasing the unlikely feel of this friendship. When we first meet Tony, likable is not a word we would use to describe him. Unafraid to dish brute force with troublemakers and disturbers, Tony is little more than club muscle. While a loving family man to his wife Dolores (Linda Cardellini), he also possesses a racist streak which goes in line with his loud Italian family. One scene sees him drop two glasses used by black painters into the garbage, much to the disappointment of his wife. Meeting Don Shirley is something that not only broadens his worldview but busts it wide open. A multilingual, educated, world famous but conceited musician, Shirley's world couldn't be further apart from his own. Petrubed by Tony's bullish and unpolished manner, at first this turns into the road trip from hell. While in Kentucky, Tony forces his counterpart to feast on fried chicken because he makes the ignorant assumption all black man eat it. "You have a very narrow assessment of me, Tony!" gripes a bemused Don.

During this road trip, both come to slow admire the different qualities in each other. Shirley is almost seen as the authority figure in this trip- especially when he chastises Tony for stealing a 'lucky rock' from a roadside store or making him reverse the car to pick up a discarded soda cup. However, he slowly convinces Tony that using his fists will not solve every problem and to start using his head. While Tony on the surface is a dimwitted bag of muscles, his sheer street smarts and quick thinking help keep Don in one piece. Grudgingly he grows to admire his musical talents and his sheer determination to keep face in front the affluent Southerners who scorn his people at every turn. "It takes courage to change people's hearts." mentions bandmate Oleg (Dimeter Marinov). As a musician, Shirley's performances are a thing of rare beauty and Tony comes to see that only a man like him could make this so memorable.

Entering the Deep South gives this picture a slight tension as while he is given a warm welcome at the events and concerts he plays- there is still a notion that is simply tolerated. The title Green Book refers to a book given to African American travels to help them navigate this tricky region. Staying clear of provocation proves a sky-high task as Shirley's mere existence is a trigger to the locals. One night he strays out alone to a bar and Tony is called to rectify a difficult situation with hostile rednecks. Farrelly also shows Shirley as a man cast adrift between two worlds. Unaware of hit singers like Little Richard and Aretha Franklin, Shirley is too different from his own race and not accepted within the white race. Tony is the unlikely glue that holds the duo together and his fast-talking and unconventional fast acting also bring Shirley out his shell and make him more assertive. At its core, Green Book is a buddy film with a ton of heart and a stark realism and awareness of its surroundings.

As the Bronx born Tony Vallelonga, Viggo shows just why he is one of the most versatile actors Hollywood has to offer. Nicknamed 'Lip' due to his ability to talk bullshit and convince others to do things, his mouth is constantly running or shoveling large quantities of food into it. While in the beginning, he appears to be little more than a lunkheaded bruiser, Mortensen shows this characters intelligence and compassion towards his employer. Frequently able to get the bulk of the laughs, Mortensen once again is excellent. Mahershala Ali is also on dynamite form in the first post-Moonlight film. Effortlessly gripping in each scene, he gives Don a tightly wound feel that is a mask for his inner torment and loneliness. Ali once more confirms his status as one of the best upcoming leading men and this role matches Mortensen blow for blow.

Green Book is a movie that gives some real joy on screen and shows a maturity in direction by Peter Farrelly. Definitely an upcoming awards favorite.

Saturday, 21 January 2017

The Golden Arches: Review of The Founder

The Founder

Director: John Lee Hancock

By Alex Watson




Ray Kroc's ascent to the top of the fast food world with McDonald's is given a surprisingly gentle touch by John Lee Hancock. Making the most of Michael Keaton's great performance, The Founder is a tale of a man wanting to win at all costs. Kroc might not be this year's most sympathetic character, but the brains and sheer balls he demonstrates make us admire him. This tale of rags to riches isn't a completely happy one and his usurping of its originators will be tough to swallow.

In 1954, Ray Kroc (Michael Keaton) is a struggling milkshake machine salesman who is having trouble making money. One day when following up on a large order, he travels to San Bernardino, California where he meets restaurant owners Dick and Mac McDonald (Nick Offerman and John Carroll Lynch). Entranced by their 'speedy system' of delivering orders in 30 seconds and their quality standards, Kroc immediately wants in. Over the years Ray begins to make McDonald's into a household name, all the while alienating the brother's efforts.

The first act of The Founder sets up Kroc's persona nicely as he lives his life on the road. Giving his same cliched 'Chicken and the Egg' speech to a number of uninterested diner owners, he finds himself being continually shown the door. Along the way, he finds himself routinely frustrated by slow service and wrong food being given at a number of drive-in diners. Coming across McDonald's for the first time is like gazing upon an exciting new world. His genuine confusion and amazement as his burger is presented to him within moments will crack a smile, "where do I eat it?" he asks. The brothers are a pair who run their joint like a military operation and are dedicated to quality. Although Ray urges them to franchise, their resistance to change is what sets the rot in this relationship. Ray is a man who is never content with just having enough and his desire to better is what makes us love and hate him in equal measure.

His frustration is what sets about him building an empire. His contract has a slow approval process for anything he suggests and both Dick and Mac's refuse to betray the principles of their beloved restaurant. In the movie's second half he emerges as a ruthless businessman. Realising he will never make the bucks he desires from the brothers, Ray turns to buying land for franchises right under their noses. More than that, he founds another company based on the very company name for whom he has been generating business. Ray looks at himself as the underdog going up against the heavyweights, sad truth is that he fights way dirtier than necessary. Soon he starts enacting his own changes while similar copying the same service standards of the brothers. Dick fumes when he nationally issues powdered milkshakes to all restaurants instead of using ice cream. Ray's ideas are innovative and his success begins to make him believe he is untouchable.

John Lee Hancock treads a fine line with his portrayal of Hancock, presented as a lovable loser in the beginning soon his charm begins to blur the lines. By the movie's climax, we see a cunning and almost psychotic money maker. His dedication comes at the cost his marriage to wife Ethel (a barely used Laura Dern) and he soon catches the eye of singer Joan Smith (Linda Cardellini). In capitalist America, this tale of gaining market ground and branding will ring painfully true. Treating McDonald's like his own personal baby, Ray indeed builds this company from the ground up but only by breaking what he swore to uphold. Dick and Mac's short-sighted approach doesn't make them come off as complete victims. Stubborn to the point of being unreasonable and refusing nationwide exposure to due fear of not controlling their products, it is little wonder Ray goes against them.

Michael Keaton's fine form continues with a bold performance as Ray Kroc. Channelling his own will to dominate along with his everyman charm, this is a winning turn. Since Birdman, Keaton is the process of a big revival and Hancock's movie just proves further how is able to anchor a big movie. Nick Offerman and John Carroll Lynch also make fine supporting fodder to Keaton. Offerman's almost anal retentive presentation of Dick McDonald makes for perfect resistance to change. Carroll Lynch's turn is perhaps the more devastating as the gentler of the two brothers as the stress mounts from Kroc's offensive campaign. Laura Dern sadly is stranded in a nothing role which gives her nothing to work with. One of the most underrated actresses around, she really deserved a better part.

The Founder is a movie that reminds us that the cost of doing business sometimes involves being underhanded to get ahead.