Showing posts with label Sylvester Stallone. Show all posts
Showing posts with label Sylvester Stallone. Show all posts

Friday, 30 November 2018

There's No Easy Way Out: Review of Creed II

Creed II

Director: Steven Caple Jr

By Alex Watson



While it is a little by the numbers and predictable- Creed II is a still solid and enjoyable sequel. The last effort by Ryan Coogler was one devastating hook that floored even the most die-hard Rocky fan. However, with Coogler heading to Wakanda, his replacement Steven Caple Jr is still able to deliver a gutsy bout. Now officially Stallone's final ever outing as the Italian Stallion, Michael B Jordan assures us that this franchise is now in safe hands.

Adonis Creed (Michael B Jordan) has taken the heavyweight division by storm since his defeat in the prior film. Now the champion, he is keen to set about years of domination and building a future with girlfriend Bianca (Tessa Thompson). However, lurking in the shadows is the brutal and hulking Russian fighter Viktor Drago (Florian Munteanu), the son of the very man who killed his father, Ivan Drago (Dolph Lundgren). While keen to avenge his father's death and create his own legacy, Rocky Balboa (Sylvester Stallone) is not so keen on this matchup.

While Creed II, for the most part, is a well-acted and nicely executed piece, there is a sense they are just looking to draw out the mileage. A large portion of the movie is bogged down by any number of motivational speeches by Rocky about how Adonis has to go outside of what he knows. The last installment injected real heart and soul in places fans were surprised by. This time there seems to be a little too much brooding going on in between fights. Adonis is a character who slowly is growing on Rocky fan's and to be fair, the movie does capitalize on his rash and impulsive desire to beat Drago. Barely crowned champion, Rocky knows he is walking into a world of trouble.

When in the ring, the movie packs all the needed punches. Viktor is a man 'raised by hate' and Ivan's failure to beat Rocky robbed him and his son of a prosperous future. Their first bout together is a painful affair to watch and Viktor has more than inherited his Dad's brute force- he has gone above it! Adonis' challenge is made horrifically obvious here. While there is an excellent but all to brief reunion scene between Rocky and Drago, the father/son duo is mostly confined to being background villains. Which is a great shame because there is a wealth of story available about Drago's decline and desire for resurrection. This sequel is much like many of the previous Rocky outings and outside of the punches thrown, the story tends to lag.

Part of the issue is that Caple Jr seems more concerned with diverting the movie into unnecessary subplots. Bianca's story is one of the moving ones as her progressive hearing loss is becoming more potent. However, Creed II also loses valuable over whether Adonis and Bianca's newly born daughter will also inherit the same condition as her mother? Viktor and Ivan are also dealing with their own issues as Viktor is being embraced as a hero by Russia. Ivan is keen to return to the fold, but Viktor is wary of playing the puppet figure after his own Dad's notable failure. Any gripes we have are easily thrown aside with the number of enjoyable training montages. This sets the scene for a return to Moscow for another East vs West (or man against man) showdown. Like Rocky IV before it, the odds are stack against our hero and this is where the picture feels at home.

Michael B Jordan is finally making the character of Adonis Creed his own. In this installment, he is able to channel the swagger and confidence of the character and take it another level. Jordan also hones in on the self-doubt that Adonis possesses. Mentally conflicted and feeling obliged to avenge his father's honor, we see a newer and more vulnerable side. In many ways, it feels devastating that Stallone will never again grace our screens as Philly's finest. As Rocky, he gives a wonderful if not lower key send off. A man weary of the fighting world, Rocky is forced to look at his life and Adonis' decision to fight Drago is one that shocks him to the core. Still agonizing over his decision not to thrown in the towel for Apollo, Rocky is keen not to see another Creed perish.

Creed II has its faults, but at heart, it has all the enjoyment and charisma that one might expect from this franchise. Farewell Sly, you did it!

Sunday, 7 May 2017

My Family: Review of Guardians of the Galaxy: Vol.2

Guardians of the Galaxy: Vol. 2

Director: James Gunn

By Alex Watson



James Gunn proves that blending quirky humour with sci-fi is still a winner. Guardians of the Galaxy Vol.2 is another joyful ride with our favourite amigos. Rather than just sticking to the tried and tested formula, there is also an emotional undercurrent. Family and belonging is the key message of this picture. While our band of misfits might slowly becoming one- there is also the notion of how they will stick together.

After being forced to run for their lives from the golden Sovereign race aliens led by Ayesha (Elizabeth Debicki). Peter Quill (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper) and Baby Groot (Vin Diesel) are soon rescued by an unlikely ally. Revealing himself to be Quill's father, Ego (Kurt Russell), Peter feels a big sense of conflict about bonding with a man he never knew. The others have deep suspicions over what daddy's real intentions are.

While Guardians of the Galaxy Vol.2 doesn't feel as original as its predecessor, it is still fun nonetheless. Starting with a great and offbeat opening sequence that sees Baby Groot dancing away in the midst of the others battling a huge beast. Gunn's faith in his material is evident and once again he does well to keep the focus on these great characters. In this picture, we see our heroes slowly being driven apart from another. Their individual streaks are causing rifts, especially Rocket's unadvised stealing that has pissed off the Sovereigns. Ego's appearance is literally earth-shattering and we feel every inch of Quill's conflict. Although together father and son are an easy going dream, this whole introduction feels very rushed through. Caught between two fathers, blue pirate Yondu (Michael Rooker) emerges as the real father figure in this movie. Underneath that surly facade is a man with a heart of gold. Ego's real ambitions are what divides this group, is he just wanting to make up for lost time or is there something in Peter's genes he is more interested in?

Undeniably this picture feels itself when the group is in conflict. The unspoken romantic tension between Quill and Gomora is still affecting. Rocket is still a riot as a character and his snarky and impulsive thievery never fails to make us smile. Yondu is quick to recognise this guy is little more than an animal version of himself, whose psychological troubles run deep. Several supporting characters each set their own mark including vengeful sister Nebula (Karen Gillan) who finally gets a weighty story under her belt. We also finally get to see a human side underneath her robotic parts and an understanding of her hostility. Drax also shares a sweet and funny side story with simple minded alien Mantis (Pom Klementieff). The one area these movies always fall down, however, is in the villain department. Although Kurt Russell is able to inject every ounce of charm and grit as Ego- he just doesn't come off as memorable. Gunn sadly fails to make the most this reunion and unfortunately, we can see the big twist looming like Drax.

The second half of Guardians of the Galaxy Vol.2 sadly is nowhere near as entertaining as the first. While there is an emotional poignancy that was severely lacking in the first, an overly long final battle make us restless. There are also some ill-advised inclusions early on, Sylvester Stallone's Ravager Stakar Ogord is barely given any screen time. You also get the sense that Gunn is trying to cram too much in to set us up for Vol.3. Despite these flaws, Gunn has still crafted a sequel that stays very true to itself. The Marvel Universe has found a set of unique character who each are coming into their own. This is one family you will love to be a part of.

Chris Pratt still shows that his Peter Quill is the funniest guy in the galaxy. Showcasing his trademark wit and sarcasm, Pratt has found his onscreen soulmate. Andy from Parks and Recreation has come a long way! Bradley Cooper nearly steals the show again as Rocket, losing none of his comic touches. In this episode, Cooper is allowed to explore a more complex side of his nature and we see that below there is a racoon longing for more. Michael Rooker comes off as the pictures main hero as we begin to realise the hard time he gave Quill as a child was for a much bigger purpose. One of Hollywood's most underrated supporting men, Rooker steals the hearts of Marvel's fans everywhere.

Guardians of the Galaxy: Vol.2 is once again an offbeat and winning experience. Bring on Vol.3 soon Mr Gunn, if only for another Awesome Mix soundtrack!

Thursday, 3 December 2015

Creed: Legacy: Review of Creed

Creed

Director: Ryan Coogler

By Alex Watson



Smartly staying away from being trapped as Rocky 7, Fruitvale Station director Ryan Coogler has scored a knock-out blow with Creed. Possessing a raw and lively energy that fuels it from the opening frame, this tale of Apollo Creed's son Donnie is one that ignites interest. Coogler demonstrating his love of Philly's favourite son keeps Rocky close enough in the frame that he doesn't steal the show. However this tale has a refined emotion that has lacked in previous outings. 

Adonis 'Donnie' Johnson (Michael B Jordan) is a hungry young fighter from LA attempting to make it in the hard world of boxing. Unlike his opponents he holds a secret- he is the illegitimate son of Apollo Creed. When he is rejected to join a prestigious gym, Donnie travels to Philadelphia hoping to connect with his fathers old rival and friend Rocky Balboa (Sylvester Stallone). Living in the shadow of a man he has never known troubles the young man, particularly when faced with fighting fierce champion Ricky Conlan (Tony Bellew). 

Coogler and co-writer Aaron Covington closely match the centre story line with the original story. In Creed, Donnie is a talented but direction less fighter looking for a fighters life. Taken in as an angry juvenile by Mary Anne (Phylis Rashad), the wife of Apollo, he has lived with a burning desire his whole life to fight. There is a wonderful simplicity that Coogler is able to bring forward in this character along with a troubled vicious streak to fight anyone who gets in his way. Mary Ann is wary of this feeling and since her husband died fighting Ivan Drago, she wants to stop him from following a similar feat. Throughout Donnie gets labelled such derogatory names as 'False Creed' and critics snipe at his attempts to fight. The only effect is it propels him further on.

Finding Rocky is not as straight forward as one would hope. The Italian Stallion is a jaded shadow of yesterday and getting back in the ring in any capacity is not welcome. Through their early conversations, both men are establish a common ground and Rocky still feels pangs of guilty over his role in Apollo's death. Loss is the potent theme and it is expertly maintained through Rocky himself as in this instalment all that he holds dear has truly gone. He will later deal with the most devastating blow off all. For once this character is stripped back to basics and under Coogler emotionally conflicted and gentle soul of the first instalment. Other characters such as Donnie's new girlfriend Bianca (Tessa Thompson) is dealing with hearing loss that will eventually become permanent. Despite this she is still determined to sing and 'feel alive' and this central love theme may not have the parallels of Balboa and Adrian but is nonetheless extremely sweet-natured. 

Creed feels its most alive during an impressive array of fight sequences. Coogler is unafraid to stand back and let his camera do work. Getting in close and allowing the slow-mo punches fly and the blood splatter, the result is electric. Setting up and all or nothing fight with champion Colon, who is shortly going to jail is a tricky prospect. Donnie feels he is only getting a shot because of his lineage but the champ needs a big pay-day after an over zealous movie before his previous fight. Interestingly the finale is held at Goodison Park, home of Everton FC and with a crowd against him the fight seems one-sided. What follows is some of the most enthralling boxing action we will see in 2015 as we feel the effect of every big blow. Outmatched by the larger and experienced Conlon, Donnie has a ton of heart in his corner and this will prove the difference. 

Michael B Jordan proves he is the new lifeblood of this potentially profitable new franchise. After showing a rare quality in the disastrous new Fantastic Four, Jordan is given a character that fits him well. Through a magnificent (and Oscar worthy) performance, the young man is able to tentalisngly bring forward all the pent-up frustrations and needs of Donnie. Ably holding his own against his more experienced colleague, Jordan show us the qualities Fruitvale Station hinted at. In what is his finest work in sometime Sylvester Stallone gives an understated but quality performance. Rocky in this episode is haunted and losing hope on life. Struggling with a body that slowly betraying him and conflicted by the loss of Adrian, his outlook on life is slowly darkening. Stallone shows that given the right direction he can be wonderful. 

Creed is one of the most refreshing surprises of 2015- many people (such as yours truly) sneered at this idea when announced in 2013. Ryan Coogler has shown us that he is a director for the future and this kind of talent is one worth keeping tabs on. Rocky Balboa Lives Again!

Tuesday, 19 August 2014

Expendables 3: An Action Hero Too Far

Firstly a disclaimer; I love a good dumb film. I like switching my brain off for two hours and being entertained by explosions and one-liners. I am Michael Bay's target audience.

The Third instalment in the Expendables trilogy was released in the UK last week, and on the internet ages ago. Whoops. Despite being the school holidays and the movie having a 12A, I was at least 25% of the whole theatre audience.

The movie opens with Stallone and friends assaulting a prison train to rescue former team member Wesley Snipes because subtlety isn't the point of this movie. If you've seen the trailer, you'll know that the train then crashes into a prison and explodes. Dumb fun.

If this movie is anything to go by, Snipes has recently watched a ton of free-running videos as his character Doc leaps about like Super Mario on springs. There's a lot of this.

It's then straight into another action sequence and Terry Crews turns up to add some humour. Sadly this is the only real sequence Crews had as shooting commitments clashed with Brooklyn Nine Nine. This harbour fight sequence is fun, as it also introduces the movie's baddie, Mel Gibson.

To make a long story short (and it's the longest of the trilogy), Gibson's character, the improbably named Stonebanks injures one of the team and escapes, so Stallone goes off to take revenge. However, realising that his team of veteran soldiers is getting on a bit, he leaves them at home and recruits a new, young team, probably the main characters of the next movie. This is where Kelsey Grammer comes in as a man with a lot of phone numbers. Montage-tastic.

While Statham, Snipes, Lundgren and Couture stay at home and watch TV, Stallone and the Junior Expendables nip of to Bucharest to try and nab Gibson. Things go wrong, the kids are kidnapped and it's up to Stallone and the old guard to rescue them.

Cue explosions, more explosions, helicopter chases and a final set piece that pitches the new and old Expendables facing off against an army from a made up country. There's also the obligatory fight at the end between Stallone and Gibson.

Good points;

* Although the score is largely recycled from the last two movies, Brian Tyler's punchy strings still carry the action nicely and you'll leave the theatre humming the main motif.
* The rapport between the characters is fun, you'll probably hate the youngsters but the banter between the elder members of the group is well written.
* Harrison Ford's last minute inclusion works well.
* The location scout deserves a raise. A lot of the location work was beautiful.

Bad points;

* Jet Li! I'm a huge Jet Li fan but despite top-ish billing, he has less than five minutes of screen time and he does no martial arts at all.
* The cast was too big. Not enough time to develop the youngsters which just made them easy to dislike.

Should you watch this film? Yes, as dumb action films go, it's fun but it's not as good as its predecessors. It's also not as good as Transformers Age of Extinction which in turn is nowhere near as good as Guardians of the Galaxy. All of which are still in theatres. I watched it on a Tuesday because tickets are only £5 at Odeon. I'd be less happy if I'd paid full price.