Showing posts with label Grant Heslov. Show all posts
Showing posts with label Grant Heslov. Show all posts

Wednesday, 18 November 2015

The Masterplan: Review of Our Brand Is Crisis

Our Brand Is Crisis

Director: David Gordon Green

By Alex Watson



On paper Our Brand Is Crisis should have been a winning political comedy, but despite a fine cast the story just doesn't ignite and the needed tension is sorely lacking. Needed an added bite, the script by Peter Straughan fails to make full use of the interesting satire it has at its disposal. Director of stoner comedy The Pineapple Express and the innuendo filled Your Highness, David Gordon Green was a surprising choice to helm this. Although he shows that his work can go surprisingly deep, Green sadly misses the target. 

Jane Bodine (Sandra Bullock) is a political strategist who has gone into seclusion after some widely covered personal errors which gained her the nickname 'Calamity Jane'. An olive branch is extended to her when she recruited by Ben (Anthony Mackie) and Nell (Ann Dowd) to help out with a political campaign in Bolivia. The candidate Pedro Castillo (Joaquim De Almeida) is out of touch with his public and behind in the polls. The real tempting reason is the chance to get one over on her former rival Pat Candy (Billy Bob Thornton) who is heading the campaign for the opposition.

In some places David Gordon Green does succeed in making Our Brand Is Crisis shine, one sequence where Jane gets drunk with some locals raises the most laughs. The faults of this picture are not obvious but the story is the biggest fault with the story. Jane's past is not nearly touched upon as much as required and we never get a full sense of her inner conflict. Likewise with her relationship with Pat Candy, referred as a "Sicilian Blood Feud" by Rich (Scoot McNairy). This love/hate relationship is not explored and there is a lack of brooding hate which makes their encounters undercooked.  

Politically the story could have been an interesting one as Castillo has already been President of Bolivia before and when he did his privatizing of industries didn't go down well! Electing him to office again is a seemingly impossible task. Being produced by Grant Heslov and George Clooney, you would expect so political depth and perhaps so good commentary on the Bolivian economy. Green sadly only brushes over this area and despite rumours of the country having a possible IMF bail out which could cripple the poorer regions, we are left to wonder exactly what the game plan is? Resurrecting Castillo's campaign does offer some rib tickling injections of humour- Llama gets run over while making commercial, leading Jane to muse "It's like he killed himself rather than appear in our commercial!" Other than these brief glimpses of hope there is a stale after-taste. 

Morally there is a problematic centre about its chief characters as Jane is continually self loathing over the people she chooses to serve. At the beginning we get a sliver of her convoluted persona as she tell us how she believes in getting the vote and not wondering about the politician himself. Jane like others in her field is a gun for hire who after fighting the good war shall just locate the next battlefield. Earning the nickname 'Calamity Jane' has hurt her deeply and she is now far from home attempt to resurrect herself for a cause she maybe doesn't full believe in. There is a big sense of hurt and betrayal on both personal and business levels during the climax. Although the sentiment rings hollow and it feels ever pushed upon us, it does leave our brain cells ticking. 

The principle strength of this picture comes from the strong central turn from Sandra Bullock. Breezing through the movies problems like they are nothing at all Bullock makes great use of her comic timing. Despite having little to work with she easily dominates each scene she appears and becomes this movies main selling point. A woman forever  since her 2009 Oscar win, Sandra Bullock is now in definitely contention for another nod. 

Our Brand Is Crisis really should have been a far stronger and more satirical effort from David Gordon Green but his want to make this centuries Wag The Dog hasn't come to fruition. Lord know what would have happened if he cast James Franco and Danny McBride? 

Wednesday, 5 August 2015

Movie Plot Concepts Better Than Finished Film

In Time 

Andrew Niccol's futuristic thriller could have been a great re-doing of Logan's Run had it played its cards right. The concept that in years beyond that time literally is money was one that kept the story moving. But the whole idea that one ages past 25 was a little difficult to swallow, could you believe Olivia Wilde was Justin Timberlake's mum? The main catalyst was the flawed transition for a story of survival to being almost a crime thriller. After an engaging first act we were left with a deflated after effect. It was a shame because on the original idea alone, Niccol could have had a winning horse.

Equilibrium

Setting a story in a world (no Don LaFontaine pun intended) where a totalitarian governments rules supreme and humanity is forced to pacify all emotion was an intriguing one. The game changer here was the unfortunate wayward direction from Kurt Wimmer. Its introduction of the fictional karate/gun shooting style 'Gun Kata' made for thrilling and off beat viewing. These sole moments breathed life into what a movie on life support throughout. Tragically what started as a wonderful and thought provoking concept descended into a mindless action movie. Still it makes an interesting double bill alongside The Matrix though.

Hancock

What could have been one of the more memorable superhero comedies was somewhat hashed by director Peter Berg.  Will Smith gave us a few laughs as drunken hero, Hancock but its confusion over its formula style led to mixed result. Berg seemed to be on the fence about whether this was a comedy or a drama? This indecision meant that many laughs were lost in a haze and its never quite got to grips with itself. Originally intended to be stretched over two installments, the decision was made instead to mash it together in one movie. The great late movie twist is revealed too early and lost any effective touch it could have brought.

Prometheus 

The principle issue with this movie's build up was that it was expected by many Alien fans to be another series installment. When it was revealed as a whole new concept, this led to cries of despair. Despite have a potentially great build up to finding out about the Xenomorph's origins, a poor script and some blurred lines of story let the side down. Ridley Scott attempted his best to bring a positive spin on what is a visual effects masterclass. But no amount of sparkle and a fine Michael Fassbender android turn could mask the fans disbelief.

The Men Who Stare At Goats 

When the trailer for Grant Heslov's comedy first debuted, it looked a sure fire hit. His idea of a journalist (Ewan McGregor) following a former psychic spy (George Clooney) and learning the secrets of his life less ordinary seemed a ready-made idea. Disappointingly what followed was a rather drab and flat finished product that failed to live up to the hype. Heslov's movie has some great individual moments and a stunning supporting cast. Despite this it failed to cross over into the critically acclaimed section.