Showing posts with label John Krasinski. Show all posts
Showing posts with label John Krasinski. Show all posts

Saturday, 14 April 2018

Voices Carry: Review of A Quiet Place

A Quiet Place

Director: John Krasinski

By Alex Watson



John Krasinski has always been a dependable character actor. Stepping behind the lens, he reveals another very talented side of himself. Along with real-life wife Emily Blunt, A Quiet Place is one the most original and terrifying concepts that horror has offered in some time. Silence is the keyword throughout Krasinski's film and audience members should think twice about purchasing concessions because any rustling may cause people to jump.

Lee Abbott (John Krasinski) along with his wife Evelyn (Emily Blunt) and children Marcus (Noah Jupe) and Regan (Millicent Simmonds) live a secluded life on a rural property. The population of earth has drastically decreased as a group of invading aliens kill people based on hearing sounds. As a result, the family must live in total silence and try not to attract the alien's attention.

From the very first frame, A Quiet Place is designed to be stomach clenching. Quickly we learn about the dangers that the world now faces. In a very original twist, the aliens are in fact blind and attack based on sound, not sight. The Abbotts are family still reeling from a very personal tragedy in the opening sequence of the film. Evelyn is now heavily pregnant and the prospect of carrying a child into this new world is truly terrifying for them. Krasinski makes every small noise feel like impending disaster- a broken lamp, a scream or any tiny element of sound will mean a potential attack! Sound not only carries but it can also protect the family as well. In one scene, Lee teaches his son how the loud running stream next to them will mask any small noises. This family is permanently stuck in survival mode and this is part of what makes so appealing. Throughout they demonstrate a brand of smarts which give them the jump on their enemies when they most need it.

Throughout this film, there are red herrings to some potential disasters. An exposed nail will lead to one of the tensest sequences this picture can offer. For a movie that incorporates such little dialogue, it is impressive how layered the characters are. Lee is a man who simply wants his family to be safe and is obsessively looking for a weakness in his enemies. His fractured relationship with Regan is one of the pictures core elements. His daughter is deaf and suffers from terminal guilt over the earlier events of the movie- in her mind, she believes her fathers holds her responsible. Evelyn is the mama bear who is trying to hold it all together will still fearing for their own safety. Krasinski demonstrates a great eye and each shot in the movie feels authentic and carefully considered. While he does give one too many unnecessary jump scares, this blend of horror is completely unique.

A Quiet Place is strongest whenever a threat is present. Taking inspiration from classic horrors such as Alien, Krasinski makes us sit in silent terror as the Abbotts become the hunted. With some slick and memorable camera work by DP Charlotte Bruus Christensen, Kraskinski is able to draw his audience into this world and make us feel like we're also trapped with them. The third act also demonstrates how deeply this family love goes and there are moments of pure heartbreak which are also thoroughly uplifting. This picture refuses to simply descend into a shoot-em-up finale and instead it delivers an incredibly smart and unexpected payoff. The most terrifying part about this movie is that in this world- literally, no one can hear you scream.

John Krasinski is also on top form with his acting as well. Delivering most of his dialogue through sign language or expressions, Krasinski's turn speaks volumes. He able to convey a father's unlimited love and concern for his children using a very minimalist approach. Always an actor that we have thought capable in big films, Krasinski is now seen a brand new light. Emily Blunt adds some star power to this picture, but she matches her husband throughout. Through her silence, we can feel her characters unease but we can also sense the inner strength that she has to survive in this cruel world.

A Quiet Place is a horror film that earns points on its concept alone. A nerve-shredding and highly suspenseful affair, John Krasinski has arrived on the directorial stage.




Sunday, 31 May 2015

Hawaiian Tropic: Review of Aloha

Aloha

Director: Cameron Crowe

By Alex Watson



Despite a starry cast, Cameron Crowe's Aloha is a very misguided affair. There is a bright and upbeat tone from the beginning, but this proves to be a burden on the film as we have no real idea exactly what type of film Crowe is trying to make? His usual quirks are very much present, but lack the needed punch to get this film kick started into life. Yes the central trio of characters are very attractive and charming, but they fail to add any real any real depth to characterization.

Brian Gilchrist (Bradley Cooper) is a former Air Force turned civilian contractor who nearly lost his life in Afghanistan. To prove himself, he is given a second shot by billionaire, Carson Welch (Bill Murrary) in his old ground of Hawaii. While home, he reconnects with his old flame, Tracey (Rachel McAdams who has since married and started a family. But soon he begins to fall for rising officer, Captain Allison Ng (Emma Stone). Life altering decisions lie ahead.

The principle issue with Aloha is these lost soul stories are beginning to feel all too familiar from Cameron Crowe. Unlike his earlier work, Crowe is unable to find the right spark to ignite the film. The overly nice feel that surrounds events goes into overload early on and fails to cut the thrusters! Everyone on this island is so forgiving of everything that it lacks any sense of pain, regrets or conflict. Tracey and Brian have history and while there are close ups galore which reveal the hurt lurking below, it never truly grabs at us like it should. Before long, we feel like leaving the party and just leaving them to it.

Centrally, due a confusing style of dialogue and some lack of explanation, the story gets lost in a haze. We know that Brian was once a rising star but due to some unfortunate events, his life lies in ruins. There are red herrings given to what might have caused this, but the closure needed is one that continually disappoints. This is not the only story related problem the movie is saddled with, for instance why doesn't Tracy husband Woody (John Krasinski) ever talk? And precisely why does Carson want to launch his new suspicious looking satellite? The answer are all present, but due to Crowe's slightly muddled presentation they are lost on the Hawaiian breeze!

Though there is an air of redemption hanging around, it feels far too cliched! The main romance between Brian and Allison is one that is cute and sweet, although suffering with some awful dialogue. But we never really get a sense of just why Brian is worthy of redemption? His cynical outlook  to the world is a real mystery. Even though he innocently flutters his pretty eyes throughout, is it not enough to make him an engaging central character. Had this been made a decade ago, this would have been a perfect Crowe flick, but today it just feels substandard.

Bradley Cooper sadly in this film is not given a character worthy of his talents. Proving to be one of the most absorbing presences in Hollywood, Brian is very much a blank page and he is given little to work with to fill it. Also for this type of role, he doesn't feel downtrodden enough to convince. Perhaps someone with more grit could have shaped this differently? Emma Stone is the real treat of Crowe's film sporting enough peppy charm as the fast talking Allison to make her stand out. Always able to seem effortlessly engrossing, Stone is very much a talent on the rise. The usually consistent Rachel McAdams however, is stranded in a one note role as Tracey.

Aloha may not be the worse film that you see all year, but it is a far cry from the Cameron Crowe of old! Constantly feeling more saccharine than a lollypop, the movie doesn't seem to know where this is a comedy, a drama or maybe both? Though if you're in the mood for a wallow then this may suit you just fine!