Director: David Ayer
By Alex Watson
As Plato once wrote "Only the dead have seen the end of war" and this will most likely continue to be the case in the world we live in. War films have forever been a staple of good storytelling in Hollywood and Saving Private Ryan has so far set the bar in terms of WW2 films. This week writer/director David Ayer brings us an account of a tank crew facing insurmountable odds in his film, Fury. But how can this movie compete against an already established field?
Sergeant Don 'Wardaddy' Collier (Brad Pitt) is the tortured yet adored soul of a fiercely loyal tank crew consisting of Boyd (Shia LaBeouf), Grady (Jon Bernthal) and Gordo (Michael Pena). The squad is tired of war but continues to kill Germans nonetheless. Things are complicated by the arrival of rookie gunner Norman (Logan Lerman) who has to learn quickly the lessons of war and its scars, particularly when the crew finds itself stuck in the open with 300 armed Germans strolling into view!
David Ayer's Fury is a credible attempt by this man to get away from the police genre he has been stuck with in the past. His movie makes for a compelling view of the strained final days of WW2 and for the most part, it works very well. We open with a potent shot of a German officer on a white horse emerging from the smog and trekking across a field filled with destroyed US tanks. The ghosts of war are already present and the loss of innocence and sense of impending death that follows gives a haunting spirit hanging over Ayer's film.
When we meet our heroes, they are not portrayed as heroes by any means. This group of beleaguered GI's have the horrors of war painted on their expressions, but still they struggle on. Wardaddy is not made out to not be any kind of likable persona. His cold blooded killing of SS officers and often ruthless approach to war such as "History is Violent!" at points makes him no better than the Nazi's he sets out to kill. But as a leader, he has the firm head while the bullets fly and is determined to fulfill a promise to see his boys get home. From this you can see why his group would follow him through fire.
Aside from some neat and tense moments, such as a stunning shot of a sky swimming with bomber planes- Ayer fails to really break any new ground in this film and the stuff on display we have seen too many times before. This squad are the same type of grizzled veterans that Spielberg introduced previously and sadly they fail to add any real depth to proceedings. The side story of the dehumanizing of new recruit Norman is one that feels a little cliched as he goes from wimpy young cub to gun roaring lion by the films climax.
But what it make lack in originality, Fury makes up for it pure thrills and we are given a finale battle that leaves us hanging in excitement. Stuck at a crossroad with 300 germans rolling into view and nowhere to run, the crew decides to make one brave (albeit suicidal) last stand! Watching the bullet swarm around like fireflies and the night sky lit up with shell blastings, this is one sequence that stands out and surprisingly gives us a poignant yet taut ending that it so badly requires.
As normal Brad Pitt does well as the disturbed combat master Wardaddy, but it doesn't feel like a role that particularly stretches his ability. Cleverly Pitt gives his nature a very rough edge and makes him out to be borderline hero and enemy. Throughout though we are drawn to Pitt and he proves to be troubled face of war.
In the supporting ranks, Shia LaBeouf delivers a performance that is surprisingly excellent as war torn technician Boyd. Demonstrating a range of emotion that many wouldn't have thought likely, LaBeouf demonstrates his potential and hopefully this will prove to be some kind of a turning point for this man! Logan Lerman again impresses post Percy Jackson, but although he tries his best, Norman is not the endearing character that we yearn for him to be.
Fury might not be in the same league as more recent efforts such as The Hurt Locker in terms of thrills or good story lines. But it does provide a very realistic and gut stirring view of the last days of war. Aided by some good performances, this is still an effort that deserves your attention.
