Showing posts with label Tye Sheridan. Show all posts
Showing posts with label Tye Sheridan. Show all posts

Saturday, 31 March 2018

Virtual Reality: Review of Ready Player One

Ready Player One

Director: Steven Spielberg

By Alex Watson



Adapting the beloved novel Ready Player One by Ernest Cline was no easy job. Few directors were better equipped for the task than Steven Spielberg. In stunning detail, the legendary director captures the virtual paradise that is 'The Oasis' and he stays true to the novel's pop culture references (including several cheeky nods to his own work). While it nails the look and feel of the novel, the characters in this universe feel underdeveloped on screen. The script by Zak Penn and Ernest Cline is well paced but the splicing and dicing of the original story will alienate hardcore fans.

Wade Watts (Tye Sheridan) is a teenager living in a decrepit 2045 Columbus, Ohio. With the world in ruins and society having fallen, most people opt to send their entire days inside the virtual reality world 'The Oasis'. This world was the product of innovator James Halliday (Mark Rylance) and Ogden Morrow (Simon Pegg). After Halliday's death, he left an Easter Egg within the game and whoever passes the three challenges required will inherit his entire company. Wade (playing as avatar Parzival) sets out to claim, but his quest will bring into contact notorious gamer Art3mis (Olivia Cooke).

Any fans who have ever wondered how on earth this imaginary world could even be plausible on screen- you will not be disappointed. Seeing this production in 3D is truly awe-inspiring and you will find yourself transfixed. Spielberg gives all kinds of hard to spot popular culture fun like a car race interrupted by T-Rex from Jurassic Park and King Kong and a battle scene featuring the likes of Jason Voorhees and Freddy Kruger. Literally, Spielberg populates his movie with some many little finds (Zemeckis cube anyone), you will find your eyes in a state of cat-like readiness. With it's 80's cheese soundtrack of Van Halen, Hall & Oates and Joan Jett, this world feels like stepping back in time while surrounded by the beautiful future. We never really learn how the world has declined into a people living in stacks, but in this movie, such details are considered irrelevant.

We learn early on that Wade is a 'Gunter' (a person who hunts the easter egg), this quest brings him to Art3mis' path and both emerge as two purists who are well ahead of the game. Their ability to clue into the smallest details while looking back through Halliday's old journals is mind-bending. Of course, sparks fly but his buddy Aech (Lena Waithe) remains sceptical on the subject of digital love. It also set up a hilarious sequence when along with the other gunters they are forced to search through 'The Shining's' Overlook Hotel. The scary old lady in the bathtub takes on a whole new meaning here.  A rival company IOI are looking to claim the egg for themselves. Nolan Sorrento (Ben Mendelsohn) is the corporate jerk out to ruin everyone's fun and he has amassed an army of people called 'Sixers' whom he owns through debt. He even sets up 'Loyalty Camps' to ensure anyone and everyone aids him. Sorrento is not a man who wishes to have the keys to the kingdom not because he is skilled at playing the game, but because he just wants to get even richer.

Despite this capturing the feel of Cline's novel, the story itself is left second to the visuals. The backstory of the falling out of Morrow and Halliday feels more like a tidbit here. Also, the actual quest Parzival undertakes is completely changed for the movie. Those who have read the book will be unaffected, but fans will fume. In the novel, Morrow plays a vital role in the potential success of our heroes, here this character barely registers. Although Wade and Art3mis make for a cute couple and they firmly stabilize the story both in and out of the game- the same can't be said for the rest of the supporting cast. Other Gunter's Sho (Philip Zhao) and Toshiro (Win Morisaki) are barely given a look in. The decision to bump up antagonist i-R0k (voiced by T.J Miller) is strange because he barely features in the novel. Spielberg does give us a realistic and utterly believable version of Halliday who in this universe was a shy and conflicted Steve Jobs type. Overall, it hard to complain too much about Spielberg's adaptation and it hard to imagine a better person to bring this world to life.

Tye Sheridan has recently been a young actor with promise through his turn's in Nic Cage's movie 'Joe' and the comedy 'A Scout's Guide to the Apocalypse'. Spielberg has always had a good idea for future and Sheridan is excellent throughout. Channelling the die-hard gamer who wants to save The Oasis from corruption, he has the movie's heart on display. Olivia Cooke who was so excellent in the dark comedy Thoroughbred's adds another impressive performance to her resume. Together these two are a charming pair of romantic leads. Mark Rylance, although very briefly on screen is scene-stealingly brilliant as the terminally awkward Halliday. Ben Mendelsohn however, is once again shortchanged in a big film. His Nolan Sorrento has the potential to be a cunning nemesis. In this universe, he just comes across an egotistical dick with little substance.

Ready Player One is a game that you'll want to play by the movie's end. Keep your eyes peeled though, you will busy spotting different characters.




Monday, 30 May 2016

Reign Over Me: Review of X-Men Apocalypse

X-Men: Apocalypse

Director: Bryan Singer

By Alex Watson



Sadly X-Men: Apocalypse marks a low point for Bryan Singers tenure in this Marvel Franchise. Everything we know and love is there is this feature, but too many adjustments and new character injections are what drags this piece down. It is also not helped by its confusing script and flat storytelling. Changing the character arcs and timelines has been in place since First Class rolled onto screens, but here it is just unbearable.

Rising from his tomb underneath the pyramids after many millenniums, Egyptian God En Sabur Nur/Apocalypse (Oscar Isaac) plots to drag humanity down to its depths and rebuild a better world. In 1983 society, Charles Xavier (James McAvoy) is attempting to establish a school and has come across a talented by trouble protege Jean Grey (Sophie Turner). Meanwhile, Magneto (Michael Fassbender) has tried to live a normal life until tragedy strikes. When Apocalypse threats to ruin earth, each X-Men has his own conflict.

We all want to love X-Men: Apocalypse, but its moral compass just seems to be skewed. Magneto once again is toying with the idea of being both good and evil. Living in Poland he has settled down with a wife and child before (SHOCK HORROR!) tragedy strikes. Xavier still believes there is good in the man, despite he has routinely betrayed him and committed numerous murders. Mystique (Jennifer Lawrence) is also beginning to sink and in this one, she made out to be too much of a do-gooder. Her rousing speeches don't feel genuine and the moral ambiguousness that worked so well has vanished. The new recruits Cyclops (Tye Sheridan) and Nightcrawler (Kodi Smit-McPhee) makes the strongest impression and give us a key reminder of why we loved these characters before. The pain of youth and curse of their powers go give this picture a much needed emotional relevance.

Things start so well when we see Nightcrawler forced to fight the underwhelming Angel (Ben Hardy) in a rage in the cage match. This is as many thrills as the first hour will provide as Singer then insists of bouncing his audience from story to story to set us up for later. Sadly from this point the story becomes muddled and many of the ideas Singer probably wished to include get stranded. Quicksilver (Evan Peters) who was so effective in Days of Future Past is unable to replicate his form here and also due a questionable plot change it leaves us scratching our head. Jean Turner comes across a promising reboot, but here rather frosty character is hard to warm too. Though her inability to control what is a vastly powerful mind does earn a few extra points

The biggest sin of X-Men Apocalypse comes from its flat and unthreatening villain. All of us growing watching or reading the X-Men cartoons loved Apocalypse as the big bad of the franchise. In this universe is a boring and forgettable presence. Showing his backstory provides us with precious little as we see him transported into the body of a young man. After his transformation, he looks more like a replication of Ivan Ooze from Power Rangers than a God with unlimited powers. The whole picture seems to him going around and absorbing other people's powers. His intentions and his hatred for the modern day are never made explicitly clear but we know he wishes to punish them. How he convinces lonely and unbalanced mutants to join his cause doesn't raise any thrills and despite Oscar Isaac's best efforts, this just feels like a huge letdown.

Even the X-Men performances don't grip us like they should do, Michael Fassbender is beginning to struggle with the eternal good and evil conflict of Magneto. Singer should just choose the direction and let Fassbender do this thing because when he does, he is magnificent at it. James McAvoy, as usual, is great (if underused) as the professor but Jennifer Lawrence's complete redirection as Mystique doesn't feel right. She is settling more into physical aspects of this role, but making her a hero is step back. Kodi Smit-McPhee and Tye Sheridan are marked out well as the new blood of the franchise. SMP in particular is able to project the confusion and vulnerability that makes Nightcrawler so great. Also, he rocks his Michael Jackson Thriller jacket!

On the whole X-Men: Apocalypse is just another big budget blockbuster gone south in what has been a bad year for superhero films. Back to the drawing board boys because the old ideas are becoming stale.