White Heat: Review of Wind River

Wind River

Director: Taylor Sheridan

By Alex Watson

Beneath its snowy winter exterior, Taylor Sheridan's Wind River is a movie where secrets are lost on the wind. After grabbing an Oscar nomination for his fine screenplay for Sicario, Sheridan proves he is also a fine talent behind the lens as well. This crime drama is like a ticking time bomb of tensions and Sheridan makes full use of the desolate Wyoming backdrop. A pair of fine lead performances by Jeremy Renner and Elizabeth Olsen is a compliment to Sheridan's fine style.

Cory Lambert (Jeremy Renner) is a local tracker and hunter who takes care of wildlife problems. One day while travelling by snowmobile he finds the bloody and frozen corpse of Natalie Hanson (Kelsey Chow) a Native American girl who was once friends with his daughter. FBI agent Jane Banner is called in to assist when it is suspected to be a homicide but finds herself unprepared for the harsh winter. After an autopsy reveals the victim was raped, a dangerous game of cat and mouse ensues.

Opening with a clearly terrified and barefoot Natalie running across a snow covered terrain, it is clear something has scared her to the core. Wind River is a slow cooker and Sheridan lets us see Cory in his quieter moments first. A man still mourning the tragic death of his daughter, he is simply trying to live with the pain he has. Sheridan makes us feel the icy cold of the surroundings and there is a sinister menace that mocks the residents on the breeze. Banner's arrival does shake up the locals as her 'strictly business' approach fails to endear her. Although Cory is not law enforcement, he and Jane are forced to work together as there is no better tracker around than him. At first, the pair does not bond well, but eventually, she comes to depend on his knowledge.

Sheridan is unafraid at showing us the ugly side of this drama, one visit by Jane to Martin Hanson (Gil Birmingham) reveals his wife's tragic breakdown. There are also moments of pure shock such as a botched raid on a shack full of drug addicts. Sheridan has the jump scare factor aced here and there are few minutes in this picture which inspire calm. Getting the tribal members to talk in this region is hard, especially since the majority of crimes against them go unnoticed. Police Chief Ben (Graham Greene) is attempting to keep order with minimal staff in an area 'the size of Rhode Island'. Wisely we are not given any real leads as to who the guilty person could be? The snow covered ground has covered a lot of tracks- though Cory as a tracker is an expert at spotting tiny details.

The third act of Wind River is where Sheridan's talent really shines. When the crime is revealed we are treated to a flashback that is so grotesque and uncomfortable it makes us feel ill. Think Hell or High Water meets Deliverance. The lengths people will go to protect others is horrifying and there is an intense paranoia all around. Possibly the tensest scene comes from when 10 people comprised of law enforcement, oil workers and Jane all decide to point guns at each other. It's a scene where things could get out of control fast and when everyone has itchy trigger fingers, it can only go south. This community has an 'eye for an eye' feel and there is a last act of revenge by Cory that continues this trend. Sheridan's movie is a rare beast and shows us that beneath the picturesque landscape, horror can be found everywhere.

Jeremy Renner showcases what a fine leading man he can be as Cory. Although a fascinating presence in The Hurt Locker, Arrival and The Town, Renner will mostly be remembered as The Avengers Hawkeye. The layers he adds to Cory are simply stunning and he gives the impression of a man holding on. His character possesses some good wits and is unafraid to get his hands dirty. Elizabeth Olsen is one of Hollywood's most underrated talents and as Jane, she shows just why she should be richly rewarded. At first a slightly obnoxious by-the-book agent, it becomes clear that she will need to go against her principles to get the desired result. Together Olsen and Renner make a good double act that ties the movie together nicely.

Wind River is a movie that will hopefully garner Sheridan some much-needed attention come award season. One of the best Hollywood writing talents now proves he has a director's eye to match.

Close Encounters: Review of Arrival

Arrival

Director: Denis Villeneuve

By Alex Watson

Opening to an overwhelming hype, Denis Villeneuve's Arrival is an intelligent thriller and a breathtaking visual experience. A smart and thought-provoking script by Eric Heisserer fuels the picture and leaves the audience second-guessing.  Villeneuve cranks up the tension early on and gives his film and a great dramatic edge. For a film of this genre, there is a highly emotional feel which will capture the hearts of adults everywhere.

When 12 mysterious spacecraft arrive on earth, naturally humanity assumes the worse. Dr. Louise Banks (Amy Adams) is a world-renowned linguist who is approached by Colonel Weber (Forest Whitaker) to make the first contact with the species. Teamed with scientist Ian Donnelly (Jeremy Renner) they must assess whether the aliens intentions are hostile or peaceful. Fighting the clock both Banks and Donnelly must uncover why the aliens are here, what they find will change both lives.

Arrival is a slow burning affair as Villeneuve builds up the suspense to the first encounter. Banks is teaching a linguistics class when the aliens first arrive hovering over a field in Montana. She has previously assisted the army translating Farsi documents so when Weber arrives she already has security clearance. We learn that every 18 hours the aliens ship door randomly opens. Other scientists have attempted contact but are unable to make any sense of the bizarre ramblings. When Ian and Louise first step inside the ship, our stomachs tighten. Set against Johann Johansson's foghorn-like score we see a pair of tentacled creatures behind a gleaming wall. When the humans first speak, the aliens just throw back what appears to be random signs. Through Louise's intelligence, it begins to transpire that these signs might mean something else entirely. Nicknaming their cephalopod friends Abbott and Costello, both attempt to forge a relationship. Taking both linguistic and scientific approaches, Louise and Ian are split on what the signs could suggest?

Things are complicated by other nations perceiving the aliens messages as threats. China led by General Shang (Tzi Ma) are refusing cooperation. Other nations are also panicking about the discoveries they have made and wish to engage the aliens in warfare. This ticking time bomb threatens to disrupt the peace on earth and could lead to something potentially dangerous. Agent Halpern (Michael Stuhlbarg) is intent on following directions to the letter and his short-sighted approach is derailing all progress made. Louise is convinced that when the aliens tell them to "Use Weapon" it is a phrase that is misunderstood. Intercut with scenes from her past where she reminisces about the daughter she lost,  this ordeal is emotionally taxing on Banks.  As you will learn through Villeneuve's picture, not everything is as it appears. The bond Louise forms with Abbott and Costello is genuinely moving and you get the sense that her involvement here was meant to be. Around all the military and government personnel, she is the only one able to see the bigger picture.

Although Villeneuve lets his audience down slightly with a polarizing big reveal, the sheer amount of adrenaline during the final act makes up for it. With time against them, Louise has to resort to a bold piece of thinking to save the day. What follows is a poignant moment of discovery that changes everything we know. The realization of what is to come is heart rendering but also hopeful. Arrival is a love letter to the value of language and reinforces Louise's belief that this is "the cornerstone of civilization" Smartly Villeneuve expresses what power the values of words carry and how we need to understand the meaning behind them. Bradford Young's cinematography deserves credit too. His stark and gloomy photography gives this picture a hypnotic effect. During the first contact scenes, it's like looking a new and scary vortex of beyond. Denis Villeneuve is becoming one of the strongest talents in Hollywood and gives hope that his Blade Runner 2049 will give us the sequel we have always wanted.

One of the Hollywoods best talents, Amy Adams is having a career year. Along with Nocturnal Animals, Adams is very much the name on the lips of awards shows in 2016. Here she puts in a strong and ambitious turn as Louise Banks. A clever and fast thinking personality, Louise can see what no one else can. Adams also handles the emotional weight of the character well and gives her a depth that serves her well in the closing stages. All throughout there is no doubt that somehow she is connected to her alien counterparts. Jeremy Renner gives a solid supporting turn as Ian, a scientist who initially scoffs at her language beliefs. However, this is very much Amy Adams' picture.

Arrival is a spellbinding experience which will change what you think about alien encounters. Denis Villeneuve is a director who always finds a way to audience heart rate increase. Expect big things for Blade Runner 2049.

Back In The Saddle Again: Review of Mission Impossible: Rogue Nation

Mission Impossible: Rogue Nation

Director: Christopher McQuarrie

By Alex Watson

After an uneven last couple of outings, Mission Impossible: Rogue Nation restarts this franchise in breathtaking style. Making a stunning opening with the now notorious shot of Ethan Hunt hanging from an airplane, director Christopher McQuarrie shoots to thrill. Although continually ringing the box office bell, critics were quick to point out signs of wear in this spy series. The after effect of the IMF team's fifth adventure is that we are now eagerly anticipating a sixth outing.

After the IMF is dissolved by CIA chief  Hunley (Alec Baldwin), Ethan Hunt (Tom Cruise) must now contend with an enemy group named 'The Syndicate' led by Solomon Lane (Sean Harris). Along with fellow agents Benji (Simon Pegg), Luther (Ving Rhames) and Brandt (Jeremy Renner), Ethan faces a tough fight against an organization intent on causing chaos worldwide. Not to mention the tricky business of ambiguous agent Ilsa Faust (Rebecca Ferguson).

From the beginning of Mission Impossible: Rogue Nation, McQuarrie quickly gets down to business. Throwing aside any temptation for drawn out narrative or lengthy back stories, the former writer turned director sets about just making a great thriller. Any logic flaws in the story are happily overlooked during a stunning first act set against the opera in Vienna. Watching Ethan Hunt involved in a fight while hanging above a stage as 'Nessun Dorma' is in full swing is bound to broaden smiles all around. Paced to perfection cleverly following the sheet music to the crescendo, this moment is but a snapshot of what is to come later.

More than anything, this fifth installment shows that it hasn't lost its ability on the set piece front. One sequence has Ethan diving into secure underwater server beneath a Casablanca power station to retrieve a super secret red box file. This act is presented beautifully and as Ethan runs dangerously low on oxygen, we hold our breath with him. Not one to hold back, McQuarrie follows this up with one of this year's finest car chases. This moment proves everything effective that a chase should have, including some witty lines. Seeing the exasperation on Benji's face when Ethan asks if he is wearing a seat-belt is priceless. "ARE YOU ASKING ME THAT NOW!" he bellows while the car flies backwards through the air.

What perhaps makes Mission Impossible: Rogue Nation is the mystery surrounding it. On dual duty as both writer and director, McQuarrie succeeds in creating a wonderful uneasy feel. What exactly are 'The Syndicate'? And why does Ethan obsessed with pursuing them? Ilsa however, is the biggest puzzle piece of all. Continually throughout this adventure we find ourselves assumptions about this woman stumped. An irresistible presence and a magnificent femme fatale character, Ilsa is possibly the closest that this series will come to a co-anchor. As a villain, Solomon Lane has presence and his icy chill he brings along with it is truly stirring.

Tom Cruise once more proves that the Mission Impossible series definitely belongs to him. In a performance that is self-assured and surrounded by an easy cool like his first installment, it demonstrates that Ethan Hunt still merits a place in the film world. Rebecca Ferguson nearly steals the film from under Cruise in a sizzling turn. A bold and sexy presence, Ferguson marks the strongest female presence in the series so far. The chemistry between the two runs like a charm and we can only hope she returns in future installments.

Finally the Mission Impossible series has found the right formula and style that makes it successful. Previous efforts have tinkered with a number of ideas (including a Limp Bizkit opening track) and has remodeled Ethan Hunt. Mission Impossible: Rogue Nation is a simple and basic thriller that only wants to entertain. More of the same next time please!

Brotherhood of Buccaneers: Review of Avengers: Age of Ultron

Avengers: Age of Ultron

Director: Joss Whedon

By Alex Watson

Although a darker and less jokier flick than we might have expected, Joss Whedon is again consistent with Avengers: Age of Ultron. But unlike its gleeful predecessor, there is an air of warning and madness present from the start. Which culminates in a creation that truly loathes its creators. However, even though it scores highly on the thrill level, you can't help but feel that this franchise is beginning to wear a little thin!

Completing a dangerous mission against a HYDRA base, Tony Stark (Robert Downey Jr) wish to great artificial intelligence creation that will be protector to humans. Only his creation that arrives, Ultron (James Spader) immediately comes to hate humanity and sets about on a mission to destroy it! Matched against an unstoppable being along with fellow experimental beings Scarlet Witch (Elizabeth Olsen) and Quicksilver (Aaron Taylor-Johnson). The Avengers have a hard mission ahead.

What perhaps sets Avengers: Age of Ultron apart is the fact that a great shadow of doubt has come across this once strong fraternity of superhero's. Captain America (Chris Evans) is starting to feel the strain of his role as protector, while Bruce Banner (Mark Ruffalo) is beginning to have doubts over not only his relationship with Black Widow (Scarlett Johansson) but whether he can exist among humans at all? Even Tony Stark is cast is near villian mode as it is his meddling with the forces of AI that brings about one un-godly creation! But amidst the cracks appearing, this unit has learn to work as a team- just watch Thor (Chris Hemsworth) slam the Caps shield into a HYDRA man's face! 

Emerging like a more sinister Frankenstein's monster, Ultron is a living and vengeful being who decides the only way to save humanity, is to destroy the earth! Constantly slippery and evolving, Ultron provides the ultimate obstacle to the Avengers. But his brother and sister companions Wanda/Scarlet Witch and Pietro/Quicksliver make for fine lieutenants. Particularly as through her mind mangling abilities, Wanda brings their worst fears to life before their eyes. It is shown Iron Man his post New York trauma that will result in him behaving more irrationally than usual!

But although Whedon has now fitted the style of this group like a glove and his command of the action scenes is breathlessly executed- you can't escape the thought that Avengers:Age of Ultron is now all too familiar. The finale is once set in the air (now a Marvel staple it seems) and while thrilling and very unpredictable, it just doesn't give you the rousing feeling that you felt when this team was first together. His excellent use of characterization firmly keeps everything afloat and the new additions are being worked in nicely, even Hawkeye (Jeremy Renner) gets his own part of the story after being drastically underused.

Robert Downey Jr, Chris Evans and Chris Hemsworth are as usual fine in their customary roles, but unlike before they are not as memorable. These characters are beginning to feel like fresh with every appearance and even some neat changes doesn't completely change things. The real star turn goes to Mark Ruffalo who exhibits a fine inner conflict as Bruce Banner who for once is truly doubting his place in the world and fears for not only his own safety, but the rest of human kind! James Spader however makes for a magnificent Ultron! Like a bad seed done drastically wrong, his lament for humans is well felt and through his gravely yet commanding voice, one of the best Marvel villains is born!

Avengers: Age of Ultron is a still a great night of entertainment, and I understand that they are far from being done. But this Marvel universe is feel a little overcooked these days. The films will still come thick and fast (the two part Infinity War installment is due for 2018), but they will struggle to match the joy of old. But Whedon's darker take on events is still worth viewing, especially if you like the Hulk finally being unleashed!