Showing posts with label Sean Harris. Show all posts
Showing posts with label Sean Harris. Show all posts

Wednesday, 8 August 2018

Ghost Protocol: Review of Mission Impossible: Fallout

Mission Impossible: Fallout

Director: Christopher McQuarrie

By Alex Watson



The Mission Impossible Franchise seems to have found its perfect duo in Tom Cruise and Christopher McQuarrie. The new effort Mission Impossible: Fallout somehow not only tops the exhilarating thrills of Rogue Nation but also gives this movie an emotional core. Gone are the days of good-natured fun and for the first time ever, The MI franchise seems to be unafraid to explore character depth.

Ethan Hunt (Tom Cruise) and his crew (Simon Pegg and Ving Rhames) are caught in an awkward position after a mission in Berlin goes wrong. Faced with the world's potential destruction from a plutonium bomb, Hunt faces his most perilous mission yet. The re-introduction of old frenemy Ilsa Faust (Rebecca Ferguson) also complicates matters. Then there is the added problem of the CIA sending handler August Walker (Henry Cavill) to babysit his team.

There has been a sense of this franchise beginning to grow a conscience, Mission Impossible: Fallout is a movie that finally highlights the ramifications of Ethan Hunt's occupation. There is friction aplenty amongst the IMF team-members from the very start. Forced to be partnered with the hulking Walker and chasing a terrorist intent on resizing the world's population through deadly means, to put it mildly, things look very bad. While McQuarrie keeps his dialogue scenes brief and to the point, the sheer amount of thrills speak volumes. Frequently, this franchise finds new ways to provide jaw-dropping set pieces and here, it's on whole new level. A gripping bike chase through Paris, a bathroom fist fight that veers into almost 'Hulk Smash' territory to finally Cruise doing what he does best- running over rooftops! The sixth instalment plays its ace cards smartly and rather than getting lost in an overly complex plot like parts 2 or 3, details are kept to the point at all times Simplicity and entertainment are the key items on the agenda here.

On this occasion there finally seems to be more of an action's have consequences element to affairs. In a rare move, Rogue Nation villain Solomon Lane (Sean Harris) is swept back in to bring a cold and creepy element to proceedings. Lane is the ghosts of IMF past and through his almost whispered dialogue, Hunt's whole world is put into a tailspin. Just what has Ethan gained from accepting all these missions? How do you sleep at night when the world is at stake? The team comradery has never been better and frequently see we scene that demonstrates a deep trust and how far a teammate will go when lives are on the line. The reintroduction of Ilsa is also smartly played, once again remaining morally ambiguous, guessing her motives is literally mission impossible (sorry for the pun). Hunt both needs and mistrusts her in the same breath, but why does she keep crossing him? On his mind is also ex-wife Julia (Michelle Monaghan), which ironically becomes one of the movies key devices late on.

While Mission Impossible: Fallout does lose a few marks for a rather obvious plot twist, it can be forgiven because the last act contains pure excitement. Each MI film has to have one out of this world set piece- it finds it with a midair helicopter battle against stunning mountain scenery. A potential disaster has never looked so beautiful or been this fun before. McQuarrie also finds little moments of joy amongst the against-the-clock feel. Luther undergoing an unlikely bonding session while defusing a bomb is just one of these. The next instalment is going to have one hell of a task bettering this one. This series is now on firm footing and Ethan Hunt can now officially take his place among the very best of franchise heroes.

Tom Cruise shows no signs of slowing down in his twilight years and once more he is unafraid to get physical. Hanging off cliffs, riding bikes at breakneck speeds, brawling alongside Superman- all in days work this guy. Cruise is also able to handle the more human side and show us a glimpse into the troubled mind of Hunt. At heart, the world will always come first but there will forever be a 'what if' surrounding his entire being. Rebecca Ferguson again is able to match Cruise and makes this character impossible to read. Ilsa is becoming a welcome new addition to this franchise. Henry Cavill is also solid support as the big muscled Walker and he adds an air of mystery to his conclusion. Some may have focused on his moustache (which had to be digitally edited out during Justice League shooting), but Cavill once more shows he is a safe bet for a big budget piece.

Mission Impossible: Fallout proves that sixth time really a charm. Cruise and McQuarrie together is becoming the dream team these movies need. Let's just hope its a lucky number seven next time.


Thursday, 17 December 2015

The Scottish Play: Review of Macbeth

Macbeth

Director: Justin Kurzel

By Alex Watson



Justin Kurzel's adaptation of Macbeth is one that belongs among the very elite versions of Shakespeare's work! Boasting a hypnotic and savage beauty throughout, Kurzel bewitches his audience from the very first frame. After his absorbing debut, Snowtown Kurzel promised us great things. His own version of Macbeth is the most emotionally wrought among many but he also expertly mixes in the disturbing aura of evil that surrounds events. Shakespeare has never looked so tragically beautiful.

After winning a key battle against an uprising of King Duncan (David Thewlis), Macbeth (Michael Fassbender) is given a prophecy by three witches. In this, they tell him that he shall soon be made King of Scotland. Obsessed with ascending to the top, the brave warrior soon descends into murder and treachery. All the while aided by his scheming wife, Lady Macbeth (Marion Cotillard).

Many noteworthy directors have taken a stab at Macbeth including Polanski and Kurosawa. In contrast, their adaptations didn't come close to capturing the harsh and brutal feel that this work brings. Opening on a stunning and arresting opening battle sequence, Kurzel grabs our attention immediately. Beautifully shot by Adam Arkapaw, his photography gives a disturbing ambiance to medieval Scotland. Surrounded by blood red skies, swirling mists and battlefield still sizzling with the souls of the dead, Arkapaw brings forward a deadly malice. Kurzel along with screenwriting duo Jacob Koskoff, Michael Leslie, and Todd Louiso breathe new life in this heavily adapted drama.

Deviating from the page, this is possibly the first adaptation that attempts to humanize the behaviors of the Macbeth's. The pair is consumed by grief over the death of their child, in the opening scene we see a funeral pyre on the moors. Macbeth's bid for power is nothing more than an attempt to crush the despair and fill the empty space. He lusts over control of his destiny and in doing so he loses sight of morality and consequences. Murdering Duncan gains him the ultimate prize, but in doing so it sets him along a dangerous path. Kurzel shows a deft touch when charting the new King's heightened suspicions and eventual madness. He resists going full blown, but the results are nonetheless shocking. Watching him murder the wife and children of MacDuff (Sean Harris) is a chilling sight where the point of no return in reach.

Kurzel and Arkapaw's work on Macbeth comes alive during sintalating third act where Birnam Wood comes to Dunsinane. Watching a battle during the tangerine glow of a firestorm is cinematic ambrosia. All the pent up rage, revenge and desire explode into one as Macbeth and MacDuff go one on one. This sequences proves that sometimes deviating from text can be pleasant surprise and it is these little changes that makes the biggest waves. Kurzel shows how a talent he trulys is and thanks to some inspired casting his version of this tale of evil and murder is possibly the strongest yet. The one thing that is not in doubt is that keeping this story medieval ensures that the twisted feel is not lost. Shakespeare himself would liked this piece.

Michael Fassbender once more shows his creditibility as is perfect casting as Macbeth. Easily convincing as the leader of men and having an uncanny knack to entrance his audience, Fassbender has been one of the stars of 2015. Giving a realistic portrayal of a man wrestling with his soul, this man captures the very soul of the production. Marion Cotillard matches Fassbender, but skillfully she underplays the potential madness of her character. Showing Lady Macbeth as a woman consumed by loss she paves a new emotional for the character.

Justin Kurzel's Macbeth deserves its place alongside the great adaptations of Shakespeare. Never before have seen a stories spirit so well contained and anyone who follows will have a hard task.

Monday, 3 August 2015

Back In The Saddle Again: Review of Mission Impossible: Rogue Nation

Mission Impossible: Rogue Nation

Director: Christopher McQuarrie

By Alex Watson



After an uneven last couple of outings, Mission Impossible: Rogue Nation restarts this franchise in breathtaking style. Making a stunning opening with the now notorious shot of Ethan Hunt hanging from an airplane, director Christopher McQuarrie shoots to thrill. Although continually ringing the box office bell, critics were quick to point out signs of wear in this spy series. The after effect of the IMF team's fifth adventure is that we are now eagerly anticipating a sixth outing.

After the IMF is dissolved by CIA chief  Hunley (Alec Baldwin), Ethan Hunt (Tom Cruise) must now contend with an enemy group named 'The Syndicate' led by Solomon Lane (Sean Harris). Along with fellow agents Benji (Simon Pegg), Luther (Ving Rhames) and Brandt (Jeremy Renner), Ethan faces a tough fight against an organization intent on causing chaos worldwide. Not to mention the tricky business of ambiguous agent Ilsa Faust (Rebecca Ferguson).

From the beginning of Mission Impossible: Rogue Nation, McQuarrie quickly gets down to business. Throwing aside any temptation for drawn out narrative or lengthy back stories, the former writer turned director sets about just making a great thriller. Any logic flaws in the story are happily overlooked during a stunning first act set against the opera in Vienna. Watching Ethan Hunt involved in a fight while hanging above a stage as 'Nessun Dorma' is in full swing is bound to broaden smiles all around. Paced to perfection cleverly following the sheet music to the crescendo, this moment is but a snapshot of what is to come later.

More than anything, this fifth installment shows that it hasn't lost its ability on the set piece front. One sequence has Ethan diving into secure underwater server beneath a Casablanca power station to retrieve a super secret red box file. This act is presented beautifully and as Ethan runs dangerously low on oxygen, we hold our breath with him. Not one to hold back, McQuarrie follows this up with one of this year's finest car chases. This moment proves everything effective that a chase should have, including some witty lines. Seeing the exasperation on Benji's face when Ethan asks if he is wearing a seat-belt is priceless. "ARE YOU ASKING ME THAT NOW!" he bellows while the car flies backwards through the air.

What perhaps makes Mission Impossible: Rogue Nation is the mystery surrounding it. On dual duty as both writer and director, McQuarrie succeeds in creating a wonderful uneasy feel. What exactly are 'The Syndicate'? And why does Ethan obsessed with pursuing them? Ilsa however, is the biggest puzzle piece of all. Continually throughout this adventure we find ourselves assumptions about this woman stumped. An irresistible presence and a magnificent femme fatale character, Ilsa is possibly the closest that this series will come to a co-anchor. As a villain, Solomon Lane has presence and his icy chill he brings along with it is truly stirring.

Tom Cruise once more proves that the Mission Impossible series definitely belongs to him. In a performance that is self-assured and surrounded by an easy cool like his first installment, it demonstrates that Ethan Hunt still merits a place in the film world. Rebecca Ferguson nearly steals the film from under Cruise in a sizzling turn. A bold and sexy presence, Ferguson marks the strongest female presence in the series so far. The chemistry between the two runs like a charm and we can only hope she returns in future installments.

Finally the Mission Impossible series has found the right formula and style that makes it successful. Previous efforts have tinkered with a number of ideas (including a Limp Bizkit opening track) and has remodeled Ethan Hunt. Mission Impossible: Rogue Nation is a simple and basic thriller that only wants to entertain. More of the same next time please!

Saturday, 14 March 2015

A Soldier's Story: Review of '71

'71

Director: Yann Demange

By Alex Watson



Rarely pausing for breath throughout, debut director Yann Demange has brought us a chest tightening thriller in 71. Helped by a tight and well crafted script by Gregory Burke, early on the tension is simmering below the surface. Before long we are thrown into the literally the worse place on earth! What makes this movie stand out however is the will of one man to survive and his having to learn who is friend from a potential killer!

Gary Hook (Jack O'Connell) is a young soldier who has been deployed to Belfast, Northern Ireland. But when a routine raid goes terribly wrong, Hook is accidentally left behind by his fellow soldiers. Faced with street filled with IRA killers, this young man must navigate his own way back to the barracks. But how will he stay undetected? And more importantly who is willing to help him?

From the moment that Gary arrives 1971 Northern Ireland, it is made clear the Brits are not welcome! One early scene sees the soldiers pelted with bags of urine by young men and told to go home. Belfast is a city divided into catholic and protestant sections- neither of which particularly relishes British intervention. However during a routine search, a hostile crowd begins to form, right then you can feel the dangerous winds of change coming. When his young commanding officer (Sam Reid) panics under pressure, all hell breaks loose! From there 71's quietly building suspense surrounds the movie like a heavy blanket.

There is evil on both sides of the line as Gary has to not only contend with a faction of IRA loyalists looking to ensure he never gets home. But there is also some dubious goings on with a group of undercover British soldiers led by Browning (Sean Harris). The baddies in this one are unfortunately, slightly cliched ones and the lack of understanding about the motives of Browning and co does hinder the film somewhat. Especially as their interest in Gary never quiet adds up?

Left all alone on the streets, the continually look of terror on Hook's face is one that is also permanent through 71! Being deep in enemy territory he has to not only keep his wits about him, but look for any small chance of survive. More importantly, who is he to trust on this wild adventure? The kindly young boy who offers assistance could be just as easily luring him into a life ending trap! Could the nice father and daughter who take him in being risking their own lives to save his? This guessing game is makes our blood run cold as Demange cranks up the fear factor.

Jack O'Connell demonstrates just why is such a highly regarded young talent and in 71 he strengthens his case. His most impressive element to his performance is the smart downplaying of heroism. Gary is not made out to be a hero or a crusader- just an ordinary guy who is scared out of his mind and wants nothing more than survival. His spirit and hard desire to make it back give him our support throughout and O'Connell brings this character to life.

71 is a movie that succeeds through its excellent set pieces and the stunning direction of Demange. Highly rated upon its release in Europe, and this praise has been well earned. Just go in expecting the unexpected and it will make what follows an easier ride. Just be sure what watch your heart rate though.