Showing posts with label Russell Crowe. Show all posts
Showing posts with label Russell Crowe. Show all posts

Sunday, 16 September 2018

Saved: Review of Boy Erased

TIFF EXCLUSIVE

Boy Erased

Director: Joel Edgerton

By Alex Watson



Joel Edgerton's career as a director so far shows he is unafraid to tackle sensitive subjects. Adapting Garrard Conley's hard-hitting memoir Boy Erased, Edgerton gives a powerful commentary about the effects of LGBTQ people forced into conversion therapy. He also addresses the fears and often irrational actions of parents concerned more with their image than accepting their children. With a breakout turn from upcoming star Lucas Hedges, this is one of the most powerful films that 2018 has to offer.

Jared Eamons (Lucas Hedges) is a young man who is the son of  Pastor Marshall Eamons (Russell Crowe) and doting mother Nancy (Nicole Kidman). While away at college, he is outed as gay to his parents who offer him a  compromise- either be disowned or attend gay conversion therapy. Forced to attend a program under the leadership of the outspoken Victor Sykes (Joel Edgerton), Jared quickly becomes disillusioned with the message being given and has doubts over whether it will cause any real change.

"You cannot be born a homosexual. This is a lie, its a choice," comments Sykes at one stage. Throughout Boy Erased, Edgerton is able to tread a very fine line with his message on conversion therapy. Jared is a young man who encompasses the All-American boy, he is popular, athletic and comes from a loving but devout Baptist family. Edgerton jumps back and forth between timelines to give an impression the past that has plagued Jared. One of the more harrowing sequences comes from when Jared meets fellow college student Henry (Joe Alwyn) and a blossoming romance quickly turns into a sexual assault. Starting in almost rom-com style, this switch from a meet-cute to a life-altering event is shocking. From here, Jared's life begins to unravel. Under Sykes rule, the attendees are frequently put through the emotional wringer and are often derided. Sadistic instructor Brandon (Flea) is particularly savage- forcing students to line up in order of how manly they seem.

Everyone is simply trying to do the right thing, Sykes while abusive and narrow-minded is under the illusion that he is fixing people. However, this approach brings up some moments which are almost unbearable. Such as when fellow classmate Cameron (Britton Sear) is forced to be beaten by his family with bibles to 'strike out the demon'. The slow camera shots and dark orange glow of the room make this look almost like a horror film. Thankfully, Edgerton resists the urge to make these people cartoonish villains and instead he shows people more bound by tradition than hate. Marshall is a proud father who is wary of his families image and is unable to shake the old ways but never once is he made out to be hateful or prejudicial. Nancy is also an old-style mother who 'falls in line' but throughout her awareness about the horror of the situation grows to the extent where she can barely disguise it. Jared at first agrees to this treatment due to his love of the family, but frequently he finds himself plagued by self-doubts and his growing backbone skulks the screen like a tiger. He is never a big talker, but throughout his quiet manner, you can sense his frustration and confusion building.

Boy Erased is a frightening commentary on the real effects of being forced into the closet. In the program, the students are all just trying to push through, but the threat of being kept long term is one that is utterly horrifying. Edgerton smartly casts Quebecois director Xavier Dolan as the conflict Jon who 'salutes' rather than touching others and Australian singer Troye Sivan who encourages our hero to 'fake it till you make it!' These people are always to refer to their homosexuality as a sin and this repression and mental abuse is shown as harming lives rather than saving them. While this type of story might be familiar and in some cases almost a Hollywood staple, Edgerton is able to project a much need bite into proceedings with overselling the potential redemptive themes. One beautifully acted scene towards the end sees Jared finally lays out to his father how their relationship should be and guaranteed there will not be a dry eye in the house! "I don't want to pretend anymore' our hero says and right there is the official slogan the movie is looking for.

Lucas Hedges has already been making a name for himself with his turns in movies such as Manchester by the Sea. Here, he ensures that his name will be among the nominees come Oscar time. His performance is one of great reserve and he fully amplifies the pain and confusion that Jared feels. He also finds room to also give him a likeable yet smart-ass feel as the movie increases and by the end, this character has become fully rounded. Nicole Kidman also gives her all in the supporting department and Nancy's love for her son is frequently tested by never once broken. Russell Crowe has a hard task portraying the unshakable religious father but he adds a human element to this role which shows how a father's love often conflicts with his morals. As the hard-headed Skyes, Joel Edgerton delivers a performance that at times is at risk of being a caricature, but mercifully he elevates his performance to show a man convinced his is doing God's work but his short-sighted approach is only succeeding in driving away those he wants to save. A little tidbit about him at the end credits will raise a smile.

Some may see this type of film as a guaranteed road to Oscar glory- but you can't deny the sheer power of storytelling in Boy Erased. On performances alone, this has serious awards contention.

Saturday, 17 June 2017

Walk Like An Egyptian: Review of The Mummy

The Mummy

Director: Alex Kurtzman

By Alex Watson



Already this summer's worst reviewed movie, The Mummy reboot is a mess that even Tom Cruise can't save. With a poor script and a wonky narrative, Alex Kurtzman doesn't earn any points in the director's chair. The Dark Universe is unlikely to get kick started with this lazy first effort. It also begs the question of needing to reboot this franchise in the first place?

Nick Morton (Tom Cruise) is a US Army soldier who seems more into looting than serving with distinction. Along with his partner Chris Vail (Jake Johnson) and archaeologist Jennifer Halsey (Annabelle Wallis), the trio discovers an old mummy tomb in modern day Iraq. Unfortunately, Nick awakens the power thirsty Princess Ahmanet (Sofia Boutella) who now sees Nick as her chosen one to bring the god of death to earth.

Possibly the greatest offence of The Mummy reboot is how Kurtzman takes what could have been a solid action/adventure story and turns into a bad rehash of Fatal Attraction. From the very beginning, the story wanders all over the place- Nick's position in the US Army is never explained and we're never quite sure why he hasn't been tossed out? There's also a confusion about how much Kurtzman is playing this for laughs? There's a clear intent to entertain throughout and there is a silliness to everything. This element comes across in some utterly bizarre ways, see the zombie Vail side story which is never as funny as it wants to be.

The introduction of Ahmanet could have been a game changer as she makes full use of her alluring presence. Sadly the movie relegates to her to the role of jealous stalker. Determined to make Nick her sacrifice for the greater good and bring the god Set to reign down destruction, this story has potential. The movie, however, seems more concerned with being another 'Cruise on the run' picture and Kurtzman has his star sprinting all over London. Mixing and match different Dark Universe characters is of vital importance to this picture- so it's no surprise to see Russell Crowe pop up as Dr Henry Jekyll. This does provide some real intrigue as he waxes lyrical about great evils while barely containing his own personal difficulty. When his 'friend' Eddie Hyde is revealed, Kurtzman does give us a great round of fisticuffs for our trouble.

The Mummy really suffers from its lack of focus and most of the story elements feel tacked on. Expecting to rely on heavy thrills, ironically it's this part that is missing the most. Constantly relying on flashbacks and hallucinations to tell its story, we wish the movie would just stick to one course. Though partly a homage to the B-movies of old, no amount of gloss can hide the cracks. Ahmanet should be wreaking havoc left, right and centre, not pining for a man she barely knows. The lack of action in what is supposed to be an action flick is very ironic. Despite some fine individual moments, such as Cruise undertaking a semi-thrilling underwater sequence, there just isn't enough to keep us occupied. Kurtzman is a fine blockbuster writer, but behind the lens exposes his shortcomings. This movie is perfect if you are looking just to disengage and enjoy for a couple hours- just try not to think too hard afterwards.

Tom Cruise does the best with what he is given, but sadly even he is not able to make this enjoyable. Nick Morton is a walk in the park character wise for this guy- especially since he gets to play the attractive ladies man. Cruise brings his regular charm and as usual is a solid presence, just a shame he wasn't required to bring much else. Sofia Boutella makes for a great and menacing villain and brings a nice grace to Ahmanet. Her seductive but dangerous style makes her rise above the riff-raff in this piece and presents an actress who is quietly making a name for herself. While Boutella is memorable, Annabelle Wallis comes off worse with a poorly written do-gooder role which has little persona outside her telling off Tom Cruise.

The Mummy will most likely generate enough revenue for a sequel- the big question is do we really want one? Maybe someone should give Brendan Fraser a call just in case!

Thursday, 26 May 2016

The Odd Couple: Review of The Nice Guys

The Nice Guys

Director: Shane Black

By Alex Watson



You always forget just what a great action comedy writer Shane Black really is. Like Kiss, Kiss, Bang, Bang before it, The Nice Guys is an effort that successfully blends the buddy comedy element with blistering action. Crowe and Gosling make for a perfect of fear and loathing and their contrasting personas light up Black movie. A witty and sharp script by Black and co-writer Bagarozzi takes us into a dark yet hilarious 1978.

Holland March (Ryan Gosling) is a drunk and washed-up private eye who is currently attempting to look after his teenage daughter Holly (Angourie Rice). Jackson Healy is a man who is paid to beat up guys to stay away from people. Together the pair becomes intertwined over a girl named Amelia (Margaret Qualley) and soon finds themselves knee deep in a conspiracy. Who is behind these seemingly never ending series of events? And how just do they keep getting mixed up?

The principle strength of The Nice Guys seems for the big difference between the two leads. March is a guy whose moral compass is flying in all directions. Bored of life and fed up chasing scumbags he is forever drunk and borderline neglecting his child. Healy is a man who is angry with how the world has become and prefers using his fists to a kind word. Together this is a pair that should avoid each other at all costs. Both are rough and unpolished characters, refreshing although the edges are never quite smoothed over, they still appeal to us on a broad scale. They cross each others paths early when Amelia pays off Healy to beat up whoever has been asking questions about her. Holly is the catalyst for the pair making nice and her sarcastic smarts are a never ending source of use.

When they are attempting to figure how the death of pornstar Misty Mountains (Murielle Telio) fits into Amelia's disappearance, they soon suspect there is a far bigger picture. Black gives the story a heavy ambiguity and each red herring such as a blue-faced man or Kim Basinger's justice department official could be all or nothing. Conspiracies, goons, and unexpected twists always come out of left field. Healy and March are always one step forward but then pegged back another ten. Constantly bewildered at this series of unfortunate events Black is also unafraid to be critical of the hidden corruption that late 70's brought, in particular, the Detroit automotive industry.  Although the story perhaps extends its reach at times, it still runs like clockwork.

For all the excellence of this picture, Black does at time feel like he has added on things unnecessarily. The third act addition of villain John Boy (Matt Bomer) feels tacked on and lacks any real threat. The final showdown at the LA Autoshow does sport some fine physical comedy but lacks the hoped punch. When given such a fine display we are compelled to forgive this oversight. Although he has ruled the scriptwriting world ever since his 80s glory, Black's outings in the director's chair have been few and far between. The Nice Guys is a picture that reminds you of his prowess (oh and the billion dollars he brought Iron Man 3 too). Few have the eye for robust laughs as this man which makes us hope that he returns soon.

Gosling and Crowe are a dream together and their vastly different characters are a riot throughout. Crowe, in particular, gives his strongest performance in some time. A hulking and thumping presence his Jackson Healy is a grumpily funny man.He is also able to give a sense of street smarts which helps them avoid trouble, Gosling is a revelation as the impulsive and drunken March and shows a good eye for physical comedy, especially during his botched stand-off in the men's room. His queasiness at the sight of blood is particularly hilarious, anyone who thought Gosling couldn't do funny please hang your head. Angourie Rice is also a fine young talent as March's witty and bright daughter Holly. Possessing a fine sense of humour to swallow her father's constant misjudgement, she so nearly steals the picture from under her A-list co-stars.

The Nice Guys is a magnificent return to the big screen for Shane Black and will be a high candidate for the funniest film you will see this summer. Just remember when you pay for a job, make sure there are no loose ends.

Thursday, 3 September 2015

Best Movie Interrogation Scenes

Doctor Zhivago 

The encounter between Yuri Zhivago (Omar Sharif) and unpredictable war criminal Strelnikov (Tom Courtenay) is one of David Lean's most tense scenes. While in transit away from Moscow, Zhivago accidentally stumbles into the path of Strelnikov's armoured train. What follows is a slowly simmering tension as the man he once knew as Pasha Antipov decides his fate.


Casino Royale 

In Daniel Craig's James Bond world, things can go down a dark path. His interrogation with baddie Le Chifre (Mads Mikkelsen) is one that is truly haunting. While some evil masterminds prefer more delicate methods of torture, this one-eyed villain is much more down to earth. Director Martin Campbell also inject some truly funny humor in the most unlikely of places. You'll never look at rope the same way again!


The Limey 

The high point of Terrence Stamp's career has been this effort from Steven Soderbergh. When ex-con Wilson travels to LA to investigate his daughters, he is meet with a frosty reception. After trying to get answers from some thugs in a warehouse, it appears that he has met a dead end. What these heavies underestimate is that a desperate man can be a deadly weapon! All together now... "TELL THEM I'M FUCKING COMING!"


Reservoir Dogs 

In what has become one of Tarantino's most notable scenes, Mr Blonde (Michael Madsen) decides to have some fun. His idea of torture is one that is both frightening and engrossing. Soundtracked to "Stuck in the Middle with You" people now shift in their seats when this tracks starts up. Tied to his chair and missing the information these characters dearly need, our cop hostage is powerless to escape.


LA Confidential 

When three black suspects are picked up for a murder at the Night Owl coffee shop, it looks an open and shut case. What one of the characters doesn't count on is the hot-head nature of Bud White (Russell Crowe). A fierce hater of woman beaters, when this suspect cries "I just wanted to lose my cherry!" White will turn a winning situation into something a whole lot scarier!