Showing posts with label Xavier Dolan. Show all posts
Showing posts with label Xavier Dolan. Show all posts

Sunday, 16 September 2018

Saved: Review of Boy Erased

TIFF EXCLUSIVE

Boy Erased

Director: Joel Edgerton

By Alex Watson



Joel Edgerton's career as a director so far shows he is unafraid to tackle sensitive subjects. Adapting Garrard Conley's hard-hitting memoir Boy Erased, Edgerton gives a powerful commentary about the effects of LGBTQ people forced into conversion therapy. He also addresses the fears and often irrational actions of parents concerned more with their image than accepting their children. With a breakout turn from upcoming star Lucas Hedges, this is one of the most powerful films that 2018 has to offer.

Jared Eamons (Lucas Hedges) is a young man who is the son of  Pastor Marshall Eamons (Russell Crowe) and doting mother Nancy (Nicole Kidman). While away at college, he is outed as gay to his parents who offer him a  compromise- either be disowned or attend gay conversion therapy. Forced to attend a program under the leadership of the outspoken Victor Sykes (Joel Edgerton), Jared quickly becomes disillusioned with the message being given and has doubts over whether it will cause any real change.

"You cannot be born a homosexual. This is a lie, its a choice," comments Sykes at one stage. Throughout Boy Erased, Edgerton is able to tread a very fine line with his message on conversion therapy. Jared is a young man who encompasses the All-American boy, he is popular, athletic and comes from a loving but devout Baptist family. Edgerton jumps back and forth between timelines to give an impression the past that has plagued Jared. One of the more harrowing sequences comes from when Jared meets fellow college student Henry (Joe Alwyn) and a blossoming romance quickly turns into a sexual assault. Starting in almost rom-com style, this switch from a meet-cute to a life-altering event is shocking. From here, Jared's life begins to unravel. Under Sykes rule, the attendees are frequently put through the emotional wringer and are often derided. Sadistic instructor Brandon (Flea) is particularly savage- forcing students to line up in order of how manly they seem.

Everyone is simply trying to do the right thing, Sykes while abusive and narrow-minded is under the illusion that he is fixing people. However, this approach brings up some moments which are almost unbearable. Such as when fellow classmate Cameron (Britton Sear) is forced to be beaten by his family with bibles to 'strike out the demon'. The slow camera shots and dark orange glow of the room make this look almost like a horror film. Thankfully, Edgerton resists the urge to make these people cartoonish villains and instead he shows people more bound by tradition than hate. Marshall is a proud father who is wary of his families image and is unable to shake the old ways but never once is he made out to be hateful or prejudicial. Nancy is also an old-style mother who 'falls in line' but throughout her awareness about the horror of the situation grows to the extent where she can barely disguise it. Jared at first agrees to this treatment due to his love of the family, but frequently he finds himself plagued by self-doubts and his growing backbone skulks the screen like a tiger. He is never a big talker, but throughout his quiet manner, you can sense his frustration and confusion building.

Boy Erased is a frightening commentary on the real effects of being forced into the closet. In the program, the students are all just trying to push through, but the threat of being kept long term is one that is utterly horrifying. Edgerton smartly casts Quebecois director Xavier Dolan as the conflict Jon who 'salutes' rather than touching others and Australian singer Troye Sivan who encourages our hero to 'fake it till you make it!' These people are always to refer to their homosexuality as a sin and this repression and mental abuse is shown as harming lives rather than saving them. While this type of story might be familiar and in some cases almost a Hollywood staple, Edgerton is able to project a much need bite into proceedings with overselling the potential redemptive themes. One beautifully acted scene towards the end sees Jared finally lays out to his father how their relationship should be and guaranteed there will not be a dry eye in the house! "I don't want to pretend anymore' our hero says and right there is the official slogan the movie is looking for.

Lucas Hedges has already been making a name for himself with his turns in movies such as Manchester by the Sea. Here, he ensures that his name will be among the nominees come Oscar time. His performance is one of great reserve and he fully amplifies the pain and confusion that Jared feels. He also finds room to also give him a likeable yet smart-ass feel as the movie increases and by the end, this character has become fully rounded. Nicole Kidman also gives her all in the supporting department and Nancy's love for her son is frequently tested by never once broken. Russell Crowe has a hard task portraying the unshakable religious father but he adds a human element to this role which shows how a father's love often conflicts with his morals. As the hard-headed Skyes, Joel Edgerton delivers a performance that at times is at risk of being a caricature, but mercifully he elevates his performance to show a man convinced his is doing God's work but his short-sighted approach is only succeeding in driving away those he wants to save. A little tidbit about him at the end credits will raise a smile.

Some may see this type of film as a guaranteed road to Oscar glory- but you can't deny the sheer power of storytelling in Boy Erased. On performances alone, this has serious awards contention.

Thursday, 23 October 2014

A Mother's Love: Review of Mommy

Mommy

Director: Xavier Dolan

By Alex Watson



French-Canadian director, Xavier Dolan has already made a startling impression upon the film world following his debut 'I Killed My Mother' and he certainly captured some serious mainstream attention (along with the Jury Prize) at the Cannes Film Festival for his feature film, Mommy. Dealing the with story of a single mother dealing with a son who is everyone's best and worst nightmare, this could make for compulsory viewing.

Diane Despres (Anne Dorval) is a widowed woman whose problematic son Steve (Antoine Olivier Pilon) has been released back into her care. Very soon she finds herself overwhelmed by her hyperactive and sometimes violent boy! Help soon arrives from shy neighbour Kyla (Suzanne Clement) who beings to help to repair the cracks that have appeared in their relationship. But the threat of trouble constantly hangs over the pair and soon Diane is forced into a difficult place.

Mommy is one movie that deserves the recognition that it has received because Xavier Dolan delivers a powerful yet painfully fun and honest film. Diane is having to deal with a force of nature in Steve who with his blonde hair and deep blue eyes can flip the switch between charming and dangerous in an instant! We learn early on that Diane is a tough woman with a hard resolve, particularly as in the opening scene we see her involved in a car accident on the way to pick up her son who is being sent back for starting a fire in a boarding school canteen!

From the moment he thrown back into her life, the water continually rises above her head. In one sequence Steve becomes a destructive tornado because she assumes he stole a gift for her! But she refuses to give up on her son to whom she dedicated everything. Their maniac behaviour does give way to the attention of stuttering and introverted teacher Kyla. Although she aids them in healing some wounds, she also appears to be saddled with her own life troubles. Smartly Dolan never fully reveals the trauma that caused her to become so withdrawn around her family which adds to her reclusive nature. But not once does Kyla feel confined to the shadows and her presence through is one of equal strength to Diane.

Throughout there are moments of great joy and an excellent soundtrack including Oasis, Counting Crows, Sarah McLachlan and yes... Quebec native Celine Dion help bring alive the happy buzz. But what goes up must come down and Dolan is forever keeping us aware that change is most likely around the corner. Steve is a sweet boy at heart but ultimately also one that cannot be tamed. One memorable fantasy scene towards the end showcases the life that Diane would love her son to have, but in reality it will probably be impossibility. What follows next will be the sound of heart shattering all around the theatre!

Anne Dorval makes for the perfect muse in Mommy and her portrayal as Diane is one that is awards worthy. Giving great strength along with a playful nature, Dorval succeeds in making us yearn for her to get through to her son and it is hard to imagine anyone else other than her bringing this character to life so believably. Antoine Olivier Pinon proves to be a maniac ball of energy that delivers that fire in the stories belly. His innocent appearance is forever juxtaposed with a constantly burning fuse that could set off at any moment. Pinon makes for a budding on screen talent and Dolan will no doubt be calling on this in future.

Suzanne Clement thankfully doesn't allow herself to be upstage by the powerful duo and as the quiet but passionate soul Kyla, she rings in her own stunning turn.

At only 25 years old, Montreal's Xavier Dolan is already an amazingly self assured director and Mommy is by far one of 2014's most emotionally engaging and naturally funny movies. If you only see one piece of Canadian cinema this year, this one probably deserves your attention!