Showing posts with label David Fincher. Show all posts
Showing posts with label David Fincher. Show all posts

Tuesday, 7 October 2014

The Runaway: Review of Gone Girl

Gone Girl

Director: David Fincher

By Alex Watson



Gillian Flynn's novel Gone Girl was the subject of mass critical acclaim upon its release back in 2012. Its dark investigative theme of a man involved in a missing person case involving his wife became the perfect page turner. So who better to bring this the big screen than David Fincher? In recent years he has proven himself the master of black and bleak suspense, but will he be able to bring a beloved book to life?

Nick Dunne (Ben Affleck) is a former writer turned bar owner who used to enjoy a prosperous existence in New York his wife Amy (Rosamund Pike). But the recession forced them to return to his home town of Carthage, Missouri. On the day of their fifth anniversary, Amy appears to have gone missing! But soon Nick finds himself at the centre of a massive media sensation and murder investigation as cracks in his story and their relationship begin to reveal themselves.

Gone Girl proves to be a fine adaptation of Flynn's novel and its shadowy story fits Fincher's direction like a glove. Aided by a stunning yet ghostly soundtrack by Trent Reznor and Atticus Ross, he succeeds in grabbing the novel's raw feel. His direction is less ostentatious than before but his images are by no means less grabbing. The movie opens on a shot of Amy's head while Nick in voice over ponders the questions “What are you thinking?” “How are you feeling?” yet more importantly  “What have we done to each other?”But his wife is no easy book to read and this will be come the movie's recurring theme.

The first act like the novel, alternates between the past and the present and it is here that we get a glimpse into the life that was once was. Nick and Amy are the original cute couple and their early scenes together including a kiss during a sugar storm in a bakery have a bright glow to them. As his wife observes "We're so cute I could punch us in the face." but soon the dream becomes a fractured nightmare when Nick in a desperate state of mind returns them to Missouri and this paves the way for an awkward and increasing tense future! Nick's life soon becomes a living hell as he finds himself scrutinized by local detectives Rhonda Boney (Kim Dickens) and her partner Jim Gilpin (Patrick Fugit), even his fiercely loyal sister Margo (a superb Carrie Coon) begin to doubt his innocent explanations!

Cleverly Fincher makes an observation of the media influence that often surrounds these events as Nick soon find his past, family and suspicious bumped up life insurance paperwork are aired out for the world to see! Talk shows are screaming bloody murder and the evidence against keeps increasingly mounting. But the film benefits from a smart change of pace midway through as a shocking revelation comes forward. Those who have read the novel will be familiar with this, but the shocks do not stop there as more lies and in some cases, extreme violence (a Fincher staple) come forward. Amy is a wife that you would instantly want to marry, but years down the track you may just realize that beneath the facade is perhaps the most troubling nemesis you could ever wish to face!

For all it's merits, Gone Girl trips up in the final act and slowly the air gets let out of this bursting at the seams story. A subplot involving Amy's obsessed ex-lover Desi (Neil Patrick Harris) doesn't quite ring true and the aftertaste to this whole thing feels flat. But you can't help escaping the feeling that in some ways this was inevitable because this is one love that is truly at war with itself and with Amy you can't go in guns blazing because she may be better equipped! This mistake aside, Fincher has still made a great version of this novel and few other directors could possibly have captured the dark side of love better than this man!

Ben Affleck makes for perfect casting as Nick Dunne, with the world continually question his recent casting as Batman, Affleck shows just what he can do in the right hands. Smartly, Affleck doesn't play Nick as an outright victim, just as a man pushed into the worst place on earth with nowhere to dig himself out! But Rosamund Pike is the one who steals the acting honours with an icy yet versatile performance as Amy. In possibly her biggest role to date, Pike makes for both a great femme fatale and the charming girl next door rolled into one. She brings to life Amy's complex and dangerous persona to great effect and makes you truly fear what may come.

Gone Girl is a movie that is guaranteed to make you think twice about the people that you love and will no doubt leaving dissecting events from the past. David Fincher is a man who has now officially earned his place among elite directors, just make sure you keep hiring Trent and Atticus because together great moments are made!



Thursday, 21 August 2014

10 Great Opening Sequences

Children of Men

Alfonso Cuaron's opener to his 2007 Sci-fi masterpiece is one to cherish and proves to be a great example of succeeding in grabbing attention with minimum of effort. Clive Owen looking bored, walks into a crowded coffee shop. As he walks away (sneaking a drop of alcohol for good measure) suddenly the shop explodes! Prepare to jump with shock as this happens! Shot in one continuous take, Cuaron showcases the movie's rough feel and brings us in a future Britain where things are about to get heated!





Up

Animated opening sequences don't get more magical or devastating than UP's magnificent 'Married Life' segment. Truly anyone who doesn't find this enthralling, must have had their heart ripped out early in life, because it wonderfully captures the immense joy of finding the perfect mate and the crushing lows of losing them. It also sets up the character Carl's grumpy old man feel and aids our sympathy for him in the movie ahead.



The Social Network

Aided by Aaron Sorkin's razor sharp script, this opening break up scene in David Fincher's movie lays the ground work for Mark Zuckerburg's journey into the midst of fame and fortune, as being a red flag indicator for his difficult persona. Jesse Eisenberg and Rooney Mara truly make this scene come alive and you can feel the gradual hatred building to the point of things breaking apart! As break up scenes go, none will be more fabulously scripted than this!



Aguirre: The Wrath of God

Werner Herzog has always been a director who likes to get straight to the point, his opening sequence for Aguirre gets right to that. As we watch our band of heroes on their doomed search for El Dorado walking along a dangerous mountain path, it foreshadows the madness, murder and the series of other 'unfortunate events' that will follow suit. But what Herzog really succeeds at here, is creating an unsettling aura that will follow Aguirre throughout.



Apocalypse Now

Francis Ford Coppola's beginning to his Palme D'or winning classic is one that forever sticks in the mind. Opening with the sound helicopter blades followed swiftly after by flames rising from a tree line hit by Napalm- we sit up straight away. Interlaced with the haunted gaze of Captain Willard (Martin Sheen), it gives an eerie indicator of Willard's state of mind and the violent climax of his journey. Perfectly sound tracked by 'The End' by The Doors, this proved to be one of the last great moments of Coppola's career.  



Sunset Boulevard

Billy Wilder's opening scene to Sunset Boulevard is a great moment in the history of classic Hollywood cinema, as it plays out in reverse of the story. Watching police cars with sirens blaring head towards a large Hollywood house, we hear William Holden's narration advising us someone has been killed! But as arrive on the crime scene, learn that the man is none other than Holden himself! Wilder beautifully sets up a dark and mystique feel to this tale and we are given a great device to make us wonder how Holden ended up in water?



Jaws

The moment we hear John Williams' pulsating orchestral scores, we know instantly that Jaws is about to appear. This moment caused a great number of people to fear going into open water and Steven Spielberg proves here what a master of suspense he can be. The very second we begin underwater, our bodies freeze over with fear as we see the shark about to grab his first prey! This moment would demonstrate the qualities Spielberg has been able to bring and this moment is still ageless in cinema.



Touch of Evil

Orson Welles' opening shot of his 1958 crime classic is a masterclass in how to nail one continuous tracking shot. Watching Inspector Vargas (Charlton Heston) and his wife (Janet Leigh), you see a bomb being loaded into a car- which they pass several times on the way to the Mexican boarder! Welles builds the suspense up to unbearable levels and the thought this bomb could explode at any point stays with us throughout! The dark noir feel of the movie begins with the moment and it is still one of Hollywood's most perfect examples.



Trainspotting

Danny Boyle's arrival on the world of film was cemented with his excellent opening sequence to the 1996 British Classic. Arriving on the thumping drums of 'Lust for Life' by Iggy Pop, we hear Renton's (Ewan McGregor) almost poetic 'Choose Life' speech. The scenes that follow set up the characters and encapsulates the joy that their life of heroin brings them. But it will also add to the narrative drive later on and the euphoric high comes one horrific come down!


Inglorious Basterds

Tarantino's opener to his WW2 piece is one that has life and death hanging in the balance. The moment that Colonel Hans Lander (Christoph Waltz) arrives, you know this is no ordinary soldier because he has a wit and intelligence higher than most men! Also it superbly positions the awkward place the farmer has got himself into, does he give into the demands of Landa? Or does he make a brave stand and possible lose his life? QT brings alive one his most monstrous yet elegant characters and will prove to be a dangerous adversary for all that follow