Showing posts with label Francis Ford Coppola. Show all posts
Showing posts with label Francis Ford Coppola. Show all posts

Wednesday, 18 March 2015

Top 5 Cinematic Battle Scenes

Saving Private Ryan: Omagh Beach

As openings go, none have been more realistic or eye opening  in Steven Spielberg's career than this one. Seeing Captain Miller (Tom Hanks) and friends speeding away in a boat towards what will be a life changing event, we see soldiers being sick from nerves. The moment they hit the beach, there are no heroics, men drown from their heavy packs, bullets hover like fireflies and lives disappear in an instant. Spielberg succeeds in showing that in the heat battle, only brave and the fortunate prevail. Even today this stands as one of the great directors finest sequences!



Star Wars: A New Hope: Death Star Attack

Since its release in 1977, George Lucas' sci-fi masterpiece has a finale that has lost none of its potency. An air bound dog fight in its finest, the Rebels goes head to head with the Empire in what amounts to little more than a suicide run. The thrill factor is still very much alive and Lucas and his company Industrial Light and Magic have succeeded in keeping the effects looking timeless. But it is what's at stake that provide the audience its real nerves as the Death Star is on the verge of blowing them out of existence. Try fight not to stand up and cheer during the trench run sequence, I dare you!



Zulu: Rourke's Drift

The most endearing this about the Cy Enfield's, 1964 war film is the soldiers it is based on. 100 brave British Soldiers stood firm against the a never sea of over 4,000 Zulu Warriors at Rourke's Drift. Enfield in a pulse raising effort shows the grit and determination of the men involved. Led by aristocratic Bromhead (Michael Caine) and hard nosed engineer Chard (Stanley Baker) the red coats find the spirit in themselves to repel the rolling waves before them. The finale sequence is the one that still stands out as the weary warriors through sheer will win a deserved respect from the enemy. 11 Victoria Crosses were awarded for their courage- still a record to this day.



Apocalypse Now: Village Attack

These day's it is impossible to hear Wagner's 'Ride of the Valkyries' and not think of the memorable village attack from Francis Ford Coppola's 1979 Vietnam War classic! Emerging from the clouds like black angels of death, they quickly rain down a fiery and bloody outcome on the villagers below. Led by thrilling seeking surfer commander, Lt Colonel Kilgore (Robert Duvall) the image to this day still everlasting as he forces his comrades to surf will the tree line it set alight by napalm! As Duvall delivers the legendary line "I love the smell of napalm in the morning!" it leave us reeling from what we have just witness- this would prove to be one the last hurrah's of Coppola's career.



 Children of Men: Escape From Bexhill

If ever you needed proof that Alfonso Cuaron is one of the best modern day directors, you need only look here. Proving the master of the one take scenes, here Cuaron gives us a heart stopping escape attempt as Theo (Clive Owen) attempts to protect a mother and the first human born child in centuries. As the refugee uprising folds, the next six minutes has everything an exciting finale should have as bullets fly and explosions appear all around. However, even in the midst of a meltdown, there is a moment of beautiful serenity as both sides ceasefire to witness the miracle creation. Even in the midst of war, Cuaron finds space to reflect on what good can be find in the most unlikely places.








Thursday, 21 August 2014

10 Great Opening Sequences

Children of Men

Alfonso Cuaron's opener to his 2007 Sci-fi masterpiece is one to cherish and proves to be a great example of succeeding in grabbing attention with minimum of effort. Clive Owen looking bored, walks into a crowded coffee shop. As he walks away (sneaking a drop of alcohol for good measure) suddenly the shop explodes! Prepare to jump with shock as this happens! Shot in one continuous take, Cuaron showcases the movie's rough feel and brings us in a future Britain where things are about to get heated!





Up

Animated opening sequences don't get more magical or devastating than UP's magnificent 'Married Life' segment. Truly anyone who doesn't find this enthralling, must have had their heart ripped out early in life, because it wonderfully captures the immense joy of finding the perfect mate and the crushing lows of losing them. It also sets up the character Carl's grumpy old man feel and aids our sympathy for him in the movie ahead.



The Social Network

Aided by Aaron Sorkin's razor sharp script, this opening break up scene in David Fincher's movie lays the ground work for Mark Zuckerburg's journey into the midst of fame and fortune, as being a red flag indicator for his difficult persona. Jesse Eisenberg and Rooney Mara truly make this scene come alive and you can feel the gradual hatred building to the point of things breaking apart! As break up scenes go, none will be more fabulously scripted than this!



Aguirre: The Wrath of God

Werner Herzog has always been a director who likes to get straight to the point, his opening sequence for Aguirre gets right to that. As we watch our band of heroes on their doomed search for El Dorado walking along a dangerous mountain path, it foreshadows the madness, murder and the series of other 'unfortunate events' that will follow suit. But what Herzog really succeeds at here, is creating an unsettling aura that will follow Aguirre throughout.



Apocalypse Now

Francis Ford Coppola's beginning to his Palme D'or winning classic is one that forever sticks in the mind. Opening with the sound helicopter blades followed swiftly after by flames rising from a tree line hit by Napalm- we sit up straight away. Interlaced with the haunted gaze of Captain Willard (Martin Sheen), it gives an eerie indicator of Willard's state of mind and the violent climax of his journey. Perfectly sound tracked by 'The End' by The Doors, this proved to be one of the last great moments of Coppola's career.  



Sunset Boulevard

Billy Wilder's opening scene to Sunset Boulevard is a great moment in the history of classic Hollywood cinema, as it plays out in reverse of the story. Watching police cars with sirens blaring head towards a large Hollywood house, we hear William Holden's narration advising us someone has been killed! But as arrive on the crime scene, learn that the man is none other than Holden himself! Wilder beautifully sets up a dark and mystique feel to this tale and we are given a great device to make us wonder how Holden ended up in water?



Jaws

The moment we hear John Williams' pulsating orchestral scores, we know instantly that Jaws is about to appear. This moment caused a great number of people to fear going into open water and Steven Spielberg proves here what a master of suspense he can be. The very second we begin underwater, our bodies freeze over with fear as we see the shark about to grab his first prey! This moment would demonstrate the qualities Spielberg has been able to bring and this moment is still ageless in cinema.



Touch of Evil

Orson Welles' opening shot of his 1958 crime classic is a masterclass in how to nail one continuous tracking shot. Watching Inspector Vargas (Charlton Heston) and his wife (Janet Leigh), you see a bomb being loaded into a car- which they pass several times on the way to the Mexican boarder! Welles builds the suspense up to unbearable levels and the thought this bomb could explode at any point stays with us throughout! The dark noir feel of the movie begins with the moment and it is still one of Hollywood's most perfect examples.



Trainspotting

Danny Boyle's arrival on the world of film was cemented with his excellent opening sequence to the 1996 British Classic. Arriving on the thumping drums of 'Lust for Life' by Iggy Pop, we hear Renton's (Ewan McGregor) almost poetic 'Choose Life' speech. The scenes that follow set up the characters and encapsulates the joy that their life of heroin brings them. But it will also add to the narrative drive later on and the euphoric high comes one horrific come down!


Inglorious Basterds

Tarantino's opener to his WW2 piece is one that has life and death hanging in the balance. The moment that Colonel Hans Lander (Christoph Waltz) arrives, you know this is no ordinary soldier because he has a wit and intelligence higher than most men! Also it superbly positions the awkward place the farmer has got himself into, does he give into the demands of Landa? Or does he make a brave stand and possible lose his life? QT brings alive one his most monstrous yet elegant characters and will prove to be a dangerous adversary for all that follow